Acrobatic Pastor’s Secret Obsession Drives Boo Junfeng’s ‘Trinity’ at Tokyo Gap-Financing Market

Acrobatic Pastor’s Secret Obsession Drives Boo Junfeng’s ‘Trinity’ at Tokyo Gap-Financing Market hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 27, 2026 4:04pm PT Acrobatic Pastor’s Secret Obsession Drives Boo Junfeng’s ‘Trinity’ at Tokyo Gap-Financing Market By Naman Ramachandran Plus Icon Naman Ramachandran Latest Japanese Producers Drive Tokyo Market Growth as Exhibition Space Sells Out 22 minutes ago Japan Must Follow Hollywood’s Distribution Playbook, Says Tokyo Market Chief Shiina Yasushi, Who Eyes Major Expansion by 2030 36 minutes ago ‘Tokyo Vice’ Producer, Netflix Executive Urge Changes to Japan’s Production Incentive at MPA Seminar as Government Readies Unified Content Body 14 hours ago See All Add us as a Google Preferred Source Comments A celebrity preacher who performs daredevil stunts for his congregation while hiding his fixation on a young follower sits at the center of “ Trinity ,” the new feature from director Boo Junfeng , which is among the projects at this year’s Tokyo Gap-Financing Market . Structured in three chapters modeled on the Father, Son and Holy Spirit, the film follows Johnny, a pastor from Taiwan whose sermons have built him a large Singaporean following at a popular megachurch.

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The faithful also turn out in large numbers for the elaborate acrobatic shows he stages in the vein of Cirque du Soleil. Related Stories Doc Stories Unveils 12th Annual Film Lineup (EXCLUSIVE) Netflix Grapples With Digital-Ad Squeeze Amid Widening Glut of Streaming Commercials Though publicly known for his conservative stance, Johnny grows infatuated with Yang, a newcomer to his training program, and his preferential treatment of the young man soon becomes hard to miss.

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It unsettles his wife Ruth, and David, his leading disciple and his daughter’s husband-to-be, both of whom share in running the church. When Yang vanishes, a frantic Johnny starts his own inquiry.

The clues point toward the people in his inner circle, with tragic results. Johnny and Ruth later relocate to rural Taiwan, where they keep a low profile and worship at a modest local congregation – until Johnny glimpses an enigmatic stranger who may yet bring the couple divine grace.

“I’ve always been very interested in the subject of sexuality and faith, and I wanted to make a film that dives deep into the psyche of these characters within a church,” Boo said. Boo, a Singaporean filmmaker, made his feature debut with “Sandcastle” (2010), which became the first film from Singapore to be selected for Cannes Critics’ Week.

His follow-up, capital punishment drama “Apprentice,” played in Cannes’ Un Certain Regard section in 2016. He has also served as creative director of Singapore’s National Day Parade, including the 2025 edition marking the country’s 60th anniversary, and currently serves as chair of the Singapore International Film Festival.

Producer Raymond Phathanavirangoon, whose credits include “Apprentice,” co-wrote “Trinity” with Boo and has been involved since the idea first took shape. He has also produced Pen-ek Ratanaruang’s “Headshot,” Ron Howard’s “Thirteen Lives” and Pang Ho-Cheung’s “Dream Home” and “Aberdeen.” His earlier career included stints as an international programmer for the Toronto International Film Festival and a program delegate for Cannes Critics’ Week, and he co-founded the Southeast Asia Fiction Film Lab (SEAFIC).

“Personally, I have had people close to me convert to Christianity due to Evangelism, but this is seldom seen in Asian films,” Phathanavirangoon said. He added that the way some Asian churches build spectacle into their services is what sets the story apart.

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