AI Could ‘Absolutely’ Replace Human Actors, CEO of Generative AI Startup Runway Says at Italy’s View Conference: ‘It’s Already Happening in a Way’

AI Could ‘Absolutely’ Replace Human Actors, CEO of Generative AI Startup Runway Says at Italy’s View Conference: ‘It’s Already Happening in a Way’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 20, 2026 12:39am PT AI Could ‘Absolutely’ Replace Human Actors, CEO of Generative AI Startup Runway Says at Italy’s View Conference: ‘It’s Already Happening in a Way’ Speaking at a session, ‘Every Pixel Will Be Generated,’ the comments of Cristóbal Valenzuela, CEO of New York-based Runway provoked one of the biggest debates at View Conference, Europe’s top VFX confab By Callum McLennan Plus Icon Callum McLennan Latest Roger Deakins on Instinct, Experience and Not Knowing What Is a Cinematographer: ‘I Still Can’t Answer That’ 2 days ago A Cyclops on Strings and Samantha Morton Reshaping Faces by Hand: How Christopher Nolan’s ‘The Odyssey’ Made Its Monsters Real 7 days ago Sony Pictures Imageworks’ Michelle Grady and ILM’s Janet Lewin on Bad Bosses and Changing Studio Culture: ‘Culture Is What You Tolerate’ 1 week ago See All Add us as a Google Preferred Source Comments Durng a fireside chat entitled “Every Pixel Will Be Generated” at Turin’s View Conference , an audience member asked Cristóbal Valenzuela, the co-CEO of generative AI startup Runway, whether AI could eventually replace human actors. I think it’s already happening in a way,” he replied, going on to describe AI as “a new medium of expression” and “a new medium of storytelling.” Related Stories Dolly Parton to Be Celebrated at L.A.

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Tribute Concert Featuring Instrumental Renditions of ‘Jolene,’ ‘9 to 5’ and ‘I Will Always Love You’ Hunter Schafer Reveals She Had Gender-Affirming Bottom Surgery His fellow speaker, Nvidia ‘s Richard Kerris, was somewhat more attached to existing arrangements. Earlier in the session, he had recalled a director’s argument that the spontaneity between a director and an actor, such as Marlon Brando improvising with a cat on the set of “The Godfather,” could never be prompted.

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Popular on Variety “That craft is something to behold, and I just think that that’s something that I don’t think we’ll ever lose,” said Kerris, Nvidia VP of developer relations and general manager of media and entertainment. “Not now, but I think models are going to get probably to a point where you can probably direct them in a very similar way,” Valenzuela replied.

Kerris had also stressed that filmmaking still requires an understanding of character, composition and story. There is no “make movie button.” “I wish,” joked Valenzuela.

A clear sense of what this might mean sits in Vaenzuela’s essay titled “It’s All About the Pixel Economy,” in which Valenzuela predicts that “the value of creating pixels is trending towards zero.” Eventually, he writes, the number of “seconds consumed” will converge with the number of “seconds generated.” Presently, a film often takes hundreds of people to make and millions of people two hours to watch. Valenzuela imagines a future where audiences generate personalized entertainment as quickly as they consume it.

In another essay, “The Cost of a Frame,” Valenzuela charts a history of media through the cost of producing a credible frame. The relevant layer is the high production value content.

It’s that tier in which Hollywood, and much of the conference’s professionals, work in. “This is the last expensive layer,” he writes and AI, he makes the case, is collapsing the cost of producing it.

At the View fireside chat, Kerris frequently framed the resistance toward the technology as no different than the fears that previous tech advances stirred, including the emergence of computer-generated imagery. “The similarities of fear

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