30 Ekim 2026, Cuma
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Annecy Winner ‘The Violinist’ Found Its Italian Co-Producers at Tokyo Market, Director Ervin Han Tells Anime Co-Production Panel

Annecy Winner ‘The Violinist’ Found Its Italian Co-Producers at Tokyo Market, Director Ervin Han Tells Anime Co-Production Pa
Annecy Winner ‘The Violinist’ Found Its Italian Co-Producers at Tokyo Market, Director Ervin Han Tells Anime Co-Production Panel
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🕐 Son Güncelleme: 30.10.2026 11:16

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  • Oct 30, 2026 1:15am PT Annecy Winner ‘The Violinist’ Found Its Italian Co-Producers at Tokyo Market, Director Ervin Han Tells Anime Co-Production Panel By Lin Ying-Hsuan Plus Icon Lin Ying-Hsuan Latest Japan’s Anime Market Hits Record $28.2 Billion as Local Sales Surge 2 hours ago ‘Godzilla Minus One’ U.S.
  • Success ‘Wasn’t a Strategy; We Just Tried,’ Says Toho CEO at Tokyo Festival 23 hours ago Tokyo Film Festival Opens With ‘Sukiyaki’ and a Plea for Peace as Japan’s Government Restates Global Content Ambitions 4 days ago See All Add us as a Google Preferred Source Comments A meeting at TIFFCOM in 2023 brought Italian co-producers to “ The Violinist ,” the animated feature that went on to win the top prize at France’s Annecy International Animation Film Festival this year, Singaporean filmmaker Ervin Han told a panel at the Tokyo market.
  • Han, co-founder and CEO of Singapore’s Robot Playground Media, spoke at “Anime’s New Frontier: Structuring & Financing International Co-Productions,” a session at TIFFCOM, the content market of the Tokyo International Film Festival .

Annecy Winner ‘The Violinist’ Found Its Italian Co-Producers at Tokyo Market, Director Ervin Han Tells Anime Co-Production Panel hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 30, 2026 1:15am PT Annecy Winner ‘The Violinist’ Found Its Italian Co-Producers at Tokyo Market, Director Ervin Han Tells Anime Co-Production Panel By Lin Ying-Hsuan Plus Icon Lin Ying-Hsuan Latest Japan’s Anime Market Hits Record $28.2 Billion as Local Sales Surge 2 hours ago ‘Godzilla Minus One’ U.S. Success ‘Wasn’t a Strategy; We Just Tried,’ Says Toho CEO at Tokyo Festival 23 hours ago Tokyo Film Festival Opens With ‘Sukiyaki’ and a Plea for Peace as Japan’s Government Restates Global Content Ambitions 4 days ago See All Add us as a Google Preferred Source Comments A meeting at TIFFCOM in 2023 brought Italian co-producers to “ The Violinist ,” the animated feature that went on to win the top prize at France’s Annecy International Animation Film Festival this year, Singaporean filmmaker Ervin Han told a panel at the Tokyo market.

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Han, co-founder and CEO of Singapore’s Robot Playground Media, spoke at “Anime’s New Frontier: Structuring & Financing International Co-Productions,” a session at TIFFCOM, the content market of the Tokyo International Film Festival . Speakers agreed that international anime co-productions work best when overseas partners are involved early, with financing, deal structures and rights management considered from development through release.

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Kawano Masao, program manager at Into Global, moderated. Related Stories Lin-Manuel Miranda’s ‘Warriors’ Sets Broadway Cast Tom Hanks Returning to Broadway After 14 Years for New Play ‘This World of Tomorrow’ Han co-directed and produced “The Violinist.” On his first TIFFCOM visit, he met Italian producer Cristiano Bortone and his team at Altri Occhi, who later joined the film as co-producers.

This year, Han returned as producer to pitch “A Banquet for Hungry Ghosts,” an animated feature about food, horror and temptation, with partners from Singapore, Taiwan, Malaysia and Ireland. Han described “The Violinist” as a story of friendship over a decade.

The film itself also took 10 years from conception to completion. “With different roles in my projects, I find promotion is even more challenging than production,” he said.

Ilan Urroz, CEO of France’s Foliascope, said co-production itself was nothing new and stressed the importance of platform partnerships, pointing to France’s investment obligations for streaming services. Under French rules, streamers must put at least 20% of the revenue they earn in France into European or French-language original film and audiovisual production, rising to 25% for some services that offer films within 12 months of their theatrical release.

The rule applies to animation as well as other genres. Urroz named Netflix, Disney+, Crunchyroll, Prime Video and HBO Max as the leading platforms in France.

Sakurai Taiki, CEO of Salamander Inc., drew on more than 25 years in anime and over 100 titles to stress the importance of people and talent. “Partners are the key to success,” he said.

Asked how to find co-production partners, Urroz said, “Be creative, and don’t forget that every project is also a journey of a group of people.” Jump to Comments More from Variety Peacock Sets ‘Assassins’ Competition Show Based on Popular School Game; Scarlett Johansson to Produce ‘The Exorcist: Martyrs’ Trailer Unveiled at NYCC: Scarlett Johansson Stars in Horror Sequel From Mike Flanagan Channing Tatum Calls Rumors He Has a Burner Instagram Account ‘F—ing Hilarious’: ‘Can’t Believe Y’all Think This Is What I’m Doing With My Free Time’ Channing Tatum, Gemma Chan and

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