Apichatpong Weerasethakul’s ‘Jengira’s Magnificent Dream,’ With Tilda Swinton, Boarded by ‘Triangle of Sadness’ Mexican Co-Producer Piano

Apichatpong Weerasethakul’s ‘Jengira’s Magnificent Dream,’ With Tilda Swinton, Boarded by ‘Triangle of Sadness’ Mexican Co-Producer Piano hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 18, 2026 7:32am PT Apichatpong Weerasethakul’s ‘Jengira’s Magnificent Dream,’ With Tilda Swinton, Boarded by ‘Triangle of Sadness’ Mexican Co-Producer Piano The prolific Mexican producer-distributor, which celebrates its 15th anniversary this year, also has a robust presence at the Morelia Film Festival where it participates in the fest with Manuela Martelli’s “The Meltdown,” which it co-produced, and with five films it distributes By Anna Marie de la Fuente Plus Icon Anna Marie de la Fuente @adelafuente1 Latest Apichatpong Weerasethakul’s ‘Jengira’s Magnificent Dream,’ With Tilda Swinton, Boarded by ‘Triangle of Sadness’ Mexican Co-Producer Piano 2 minutes ago France’s Luxbox, Spain’s Amore Cine Join Melina León’s Ventana Sur Proyecta Title ‘Portrait Huaco’ (EXCLUSIVE) 4 days ago ‘I’m Still Here’ Star Maeve Jinkings Set for Women’s Convent-Prison Daring Escape Drama ‘Cabildo 71’ (EXCLUSIVE) 4 days ago See All Add us as a Google Preferred Source Comments Piano, the Mexican production and distribution company behind Ruben Östlund’s Palme d’Or-winning “Triangle of Sadness,” has boarded Apichatpong Weerasethakul ’s “Jengira’s Magnificent Dream,” producer Julio Chavezmontes has confirmed. Tilda Swinton is attached to the project.

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Just like Östlund’s multi-Oscar-nominated dark comedy, “Jengira’s Magnificent Dream” dovetails with Piano’s ongoing commitment to international collaborations with filmmakers whose work challenges conventional cinematic boundaries. Related Stories ‘I, Addict’ Creator Javier Giner Unpacks ‘This Solitude,’ a Film About ‘Those Who Keep Functioning While Something Inside Them Is Falling Apart’ Weerasethakul’s follow-up to “Memory,” which also starred Tilda Swinton and which Piano co-produced alongside Colombia’s Burning, among others, follows Thai widow Jengira who travels to the ancient rock forest of Sigiriya in central Sri Lanka to scatter her husband’s ashes.

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Blurred visions distort Jengira’s sense of time and space, drawing her across various time periods. Guided by science and empathy, she becomes a living portal between past, future and spirit.

Blending 1970s sci-fi aesthetics with a timeless world where cell phones are the only markers of temporal difference, the film blurs the boundaries between memory, history and the supernatural. Popular on Variety Joining Swinton are Thailand’s Jenjira Pongpas (“Cemetery of Splendor”) and Sakda Kaewbuadee (“Tropical Malady”) and Canadian actor Connor Jessup (“Falling Skies”).

In an interview with Variety, Chavezmontes discussed the company’s trajectory over the past 15 years while reflecting on its approach to identifying talent and developing co-productions. He stresses that the company remains open to projects across genres and formats, prioritizing a distinctive creative vision over mainstream formula.

“If something strikes us as potentially incredible, then the format is absolutely secondary,” he says. Piano’s international outlook has been central to its growth, says Chavezmontes, whose many credits include Lucrecia Martel’s “Our Land,” Luis Ortega’s San Sebastian Horizons-winning “The Jockey” and Abel Ferrara’s ”Siberia.” It participates in the Morelia Film Festival this year – where it’s also throwing a big anniversary party – with Chile’s submission to the Oscars, Manuela Martelli’s “The Meltdown,” which it co-produced, and with five films it distributes: Poh Si Teng’s debut docu feature “American Doctor,” “Mickey,” “The Lost Mariachis,” “Shana” and “Beauty Sal

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