Brandi Carlile’s All-Requests Tour Isn’t Just a Magnificent Stunt, but an Unusually Moving Transaction Between Performer and Audience: Concert Review

Brandi Carlile’s All-Requests Tour Isn’t Just a Magnificent Stunt, but an Unusually Moving Transaction Between Performer and Audience: Concert Review hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 14, 2026 7:24pm PT Brandi Carlile’s All-Requests Tour Isn’t Just a Magnificent Stunt, but an Unusually Moving Transaction Between Performer and Audience: Concert Review By Chris Willman Plus Icon Chris Willman Senior Music Writer and Chief Music Critic ChrisWillman Latest U2 Gets On Its Boots for First All-New Full-Length Record in Nine Years, ‘Carnaval de Luz,’ With More Callbacks to Band’s ’90s Peaks Than ’80s Glories: Album Review 1 day ago Taylor Swift to Perform at CMAs for the First Time in 13 Years 2 days ago ‘Oh, Mary!’ Mania Takes Over L.A.: Director Sam Pinkleton on Bringing the Unruly Broadway Comedy Phenomenon to Full Houses at the Ahmanson 2 days ago See All Add us as a Google Preferred Source Comments Is it possible to plan for magic, serendipity, peak-level proficiency and finally sublimity by… really not planning at all? That is the question.

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On Brandi Carlile ‘s current “Burn the Setlist!” tour, the answer is clear: Sometimes Shangri-La really is best reached with a lost roadmap. The shortish 19-date outing Carlile is undertaking at the moment is the first all-requests tour in memory by any artist significant enough to have it show up on our radar.

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It might even be a historic first, as far as a proven headliner opting to play nothing but spontaneously generated live audience picks. Which is odd when you think about it, because doesn’t anyone who’s been to a lot of shows over the years have a favorite moment when a star got loose and succumbed to someone shouting out a favorite (though they usually don’t want to encourage that kind of behavior?).

But at the opposite end of the scale from bar bands and tip jars, doing solely requests sounds like as much of a nightmare to most performers as it does a dream to hardcore fans. There are perfectly good reasons not to throw the song selections completely open to stans for roughly 2 hours and 40 minutes — as Carlile and her two bandmates, Phil and Tim Hanseroth , are doing now — when you have a recorded catalog of close to a hundred original songs, plus a repertoire of proven live cover choices.

Who among even the greats of music has anything close to 100% recall? When the recent and distant pasts are both being dredged up, a good corollary to “Never let ’em see you sweat” might be: Never let ’em see you forget.

Fortunately, Brandi Carlile and the Hanseroth twins are freaking elephants. But making a point out of not planning is different from not being prepared.

And Carlile and the brothers are prepared for this, first of all, by having brain chemistry that is clearly a little bit different from mine or probably yours, with the power not just to generate constant creative sparks but to put those sparks in an easily accessible lockbox. You’re either genetically predisposed to that kind of recall or you’re not, and at least a little part of why Carlile and the Hanseroths have been ideal partners since the turn of the millennium is that shared gift.

Not that they came into the “Burn the Setlist!” tour relying completely on muscle memory. Tim Hanseroth posted an IG video of himself running through their studio albums and strumming along to stir the old juices.

Carlile said in a video livestream for fans on the tour’s eve that she would have a monitor for lyrics if she needed it. But at the show I caught, I barely noticed Carlile looking down at it… which I can’t say for most big tours I attend where the show is locked in for months straight.

All of this risks making the tour see

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