‘Club Kid’ Scene-Stealer Kirby Howell-Baptiste on Playing a Drugged-Up Party Girl Who Turns Jordan Firstman’s World Upside Down: She’s ‘A Complete Tornado’

‘Club Kid’ Scene-Stealer Kirby Howell-Baptiste on Playing a Drugged-Up Party Girl Who Turns Jordan Firstman’s World Upside Down: She’s ‘A Complete Tornado’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 7, 2026 3:00pm PT ‘Club Kid’ Scene-Stealer Kirby Howell-Baptiste on Playing a Drugged-Up Party Girl Who Turns Jordan Firstman’s World Upside Down: She’s ‘A Complete Tornado’ By Alex Ritman Plus Icon Alex Ritman @alexritman Latest ‘You Can See Everything’ Sparks Frenzy in Europe as Screenings Sell Out and Anticipation Soars: ‘People Are Just Desperate to See It’ 1 day ago ‘Musk’ Doc Gets International Release Dates 1 day ago ‘Hyena,’ Thriller Exec Produced by David Lynch, to Star Kiernan Shipka, D’Pharaoh Woon-A-Tai, Edgar Ramírez and Rosemarie DeWitt 2 days ago See All Add us as a Google Preferred Source Comments “Should we do a bump?” It’s a line said, in various forms, numerous times across the first half of “ Club Kid ,” Jordan Firstman ‘s hedonistic and heartfelt coming-of-age comedy drama about a hard-partying New York club promoter suddenly forced to grapple with life and responsibilities. But the most hilariously-timed utterance comes in the middle of a crucial scene — one that shifts the entire movie — and from and by a minor, yet unforgettably wild, character.

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Related Stories ‘Beast in Me’ Season 2 Casts John Goodman U2 to Play Halftime Show for NFL’s Thanksgiving Eve Game in What League Calls ‘a New NFL Holiday Tradition’ “She’s a massive party girl — she never sleeps, she only parties,” says Brit actor Kirby Howell-Baptiste of how Edison was described to her. “She’s completely lost all social boundaries.

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The lifetime of drugs melted half of her brain away, and all her social cues and etiquette have gone.” Howell-Baptiste’s etiquette-free Edison is only in “Club Kid” for a few minutes, but manages to steal the crucial scene in question from under the nose of writer, director and lead star Firstman. Roughly quarter of the way into the film, she rocks up unannounced and chaotic, sporting green braids and oversized sunglasses, at the apartment lived in by Firstman’s nightclub promoter Peter (Firstman), with 10-year-old Arlo (Reggie Absolom) in tow.

While wandering around the place like it’s her own, she reveals — in a hysterically matter-of-fact manner — that not only is Arlo his, but she’s brought the kid across from the U.K. to live with him permanently.

But Peter is gay — and confidently declares that he’s never slept with a woman. Not true, Edison asserts as she casually roams the kitchen on the hunt for literally anything remotely looking like drugs she can swallow or snort.

He had sex with her friend Leonine a decade earlier at one of his nights while so high on ketamine, cocaine, GHB and (probably) more that he didn’t have a clue what was going on. “Nah, you fucked her, babes,” Edison says.

“Point is, that’s your son.” Tragically, Leonine — as her apparent friend explains while sniffing some white powder she found on the counter — struggled with mental health issues (“She was in and out of the loony bin… what do you call it, rehab?”) and recently ended her life. “Last week she goes and tops herself — she fucking killed herself, babe.” In the midst of making these life-changing and upsetting revelations in the most wonderfully insensitive manner possible, Edison inquires if Peter and her should “do a bump” of coke (slightly shaken by how his life is quickly unravelling, he declines).

“[Edison] is just a complete tornado,” says Londoner Howell-Baptiste, adding that she thinks the character is an “amalgamation of a few party people” Firstman has encountered. “But what I really love is that, although she’s absolutel

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