Cristian Mungiu’s Cinematographer Tudor Vladimir Panduru Breaks Down Long Takes on ‘Fjord,’ ‘R.M.N.’ at Jakarta World Cinema Masterclass

Cristian Mungiu’s Cinematographer Tudor Vladimir Panduru Breaks Down Long Takes on ‘Fjord,’ ‘R.M.N.’ at Jakarta World Cinema Masterclass hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 3, 2026 9:53pm PT Cristian Mungiu’s Cinematographer Tudor Vladimir Panduru Breaks Down Long Takes on ‘Fjord,’ ‘R.M.N.’ at Jakarta World Cinema Masterclass By Jenny S. Li Plus Icon Jenny S.

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“Graduation” was Panduru’s second film as a cinematographer, but it was also the one that made his name internationally. Panduru said the camera in Mungiu’s films is meant to stay low-profile and avoid steering the audience toward certain things, because viewers are “smart enough to understand what’s going on there.” “With Cristian Mungiu’s work, he usually shoots plan-séquence, one scene per shot.

There is no editing, no cuts. From a cinematographer’s point of view, things can be quite difficult because we end up shooting a lot of takes, and the performance comes as somehow the most important thing on set,” said Panduru.

“We end up shooting 20, 30, 40 takes sometimes to reach the best outcome.” The grueling repetition of long takes, however, was not as dreary as one might imagine, as Mungiu is able to keep everyone fresh throughout. Panduru also pointed out that the responsibility to stay fresh lies with each individual, since shooting is about living the moment with everyone on set.

“It’s also a matter of trust. When you get to work in this kind of style, everybody gives a bit of himself into that process, so there’s a moment of synchronicity,” he said.

“We don’t shoot 30 takes because the takes are not good. [The one that works] needs to have all the elements get together so you have the best outcome of everything.” Zeitlin said Mungiu’s films value “directness and truthfulness” and criticize “hypocrisy and dishonesty.” Panduru agreed, saying Romanian cinema has often been rooted in social issues and that what Mungiu addresses is important.

“I’m just trying to help him tell that,” he said. On his choice of projects, Panduru said artists should collaborate based on shared values, and that he has been lucky enough to choose the subj

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