David Bowie’s Immersive ‘Stage’ Concert Experience: Director Brett Morgen on the Show, the Artist and the Archive (EXCLUSIVE)

David Bowie’s Immersive ‘Stage’ Concert Experience: Director Brett Morgen on the Show, the Artist and the Archive (EXCLUSIVE) hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 30, 2026 6:00am PT David Bowie’s Immersive ‘Stage’ Concert Experience: Director Brett Morgen on the Show, the Artist and the Archive (EXCLUSIVE) By Jem Aswad Plus Icon Jem Aswad Executive Editor, Music jemaswad Latest Prince Estate to Release ‘3121’ Expanded Edition, With Concert Video and Multiple Unreleased Tracks 22 hours ago Backstreet Boys Launch Backstreet Gamers in Global Gaming League 1 day ago Music Industry Moves: Mary J. Blige Sells Music Catalogs to Primary Wave; Stella Lefty Signs With Make Wake for Management; Boyz II Men Ink With Warner Records Nashville 4 days ago See All Add us as a Google Preferred Source Comments Although he released two albums during the final dozen years of his life, David Bowie had effectively retired from active duty, focusing on his family and, as his extensive posthumous catalog of sound and vision shows, curating his life’s work.

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It’s been a treasure trove for longtime fans, but one thing in particular has been missing: Videos of his legendary concert tours from the 1970s. Aside from the legendary 1973 “Ziggy Stardust” farewell concert — which has been available for years but was finally released in its entirety in a 50th anniversary edition — there are TV appearances and occasional live footage, but nothing in full.

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Related Stories Spotify Inks Licensing Deal With Believe Music for AI Remixing Tool Hillary Clinton to Co-Host Podcast on 2026 Midterm Elections With Kara Swisher for Vox Media, Owned by James Murdoch All that will change on Feb. 14, 2027, when “Stage,” Brett Morgen ’s immersive concert experience of Bowie’s 1978 tour, will be premiered at Berlin’s Uber Arena.

It is even less conventional than the director’s previous Bowie documentary, the Grammy-winning “Moonage Daydream,” which Variety described as “the first graduate-school music doc.” It will be presented on multiple screens in arenas, with immersive sound and an elaborate light show. The tour was a landmark in Bowie’s career for many reasons.

It was focused on songs from the challenging first two albums from his so-called “Berlin Trilogy,” “Low” and “Heroes,” which combined angular rock music with atmospheric instrumentals and included extensive contributions from Brian Eno. These songs often required patience from the audience, yet they show also included earlier crowd-pleasing hits like “Fame,” “The Jean Genie” and “Rebel Rebel,” as well as nearly half of his “Ziggy Stardust” album, which he’d barely performed live for several years.

“Stage” was created from meticulously restored footage taken from the final dates of the tour in London in July 1978. Bowie had commissioned director David Hemmings, who starred in the classic 1966 film “Blow-Up” and directed the considerably less-classic Bowie-starring film “Just a Gigolo.” However, Bowie was unhappy with the results and, as he often did, moved on.

But perhaps most strikingly, the shows featured Bowie the person, rather than a specific character he’d decided to inhabit, like Ziggy Stardust (1972-73), Halloween Jack (1974) and the Thin White Duke (1976). “It really cuts against the image of him as a kind of distant, cold, detached, kabuki-esque performer,” Morgen, who has screened every scrap of visual footage in the Bowie archive, tells Variety.

“There is no mask for this show. There is no character — maybe just this one time, right?

Because in my opinion, even on [later] things like ‘Serious Moonlight,’ he’s playing a character. “There is no question in my mind that this i

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