Diana Silvers Confronts Grief and Growing Up on Personal, Profound Second Album ‘Daughter of Sorts’: ‘I Really Hope That People See Themselves in It’

Diana Silvers Confronts Grief and Growing Up on Personal, Profound Second Album ‘Daughter of Sorts’: ‘I Really Hope That People See Themselves in It’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 13, 2026 6:00am PT Diana Silvers Confronts Grief and Growing Up on Personal, Profound Second Album ‘Daughter of Sorts’: ‘I Really Hope That People See Themselves in It’ By Ellise Shafer Plus Icon Ellise Shafer Latest David Walliams, Former ‘Britain’s Got Talent’ Judge, Accused of ‘Grooming Fans’ as Young as 15 After Failing to Get Injunction 3 days ago Maya Jama Strikes Deal With Netflix (EXCLUSIVE) 4 days ago Russell Brand Sentenced to 10 Years in Prison After Rape, Sexual Assault Convictions 4 days ago See All Add us as a Google Preferred Source Comments In April of last year, Diana Silvers wrote the song “Daughter.” Over finger-picked acoustic guitar, the 29-year-old model, actress and singer-songwriter ruminates on the transition from girlhood to womanhood through the eyes of her mother — who, by the age Silvers is now, was already married with two children. “I can’t do it alone/ I don’t want to be grown,” Silvers croons in a soft, mellow tone.

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20, Silvers was on tour in Cincinnati, Ohio, when she got a call from her mom saying that her father had unexpectedly died. The next few weeks were a blur — she planned and attended his funeral, turned 28 and released her debut album, “From Another Room.” It’s a chain of events she’s still processing one year on.

“I feel like we’re doing record scratch, freeze frame,” Silvers tells Variety over Zoom from the kitchen floor of her New York City apartment. “You’re probably wondering how we got here, and how this record came to be.” Her sophomore album “ Daughter of Sorts ” — out Friday via Capitol Records — was already halfway written by the time her dad passed, including the moody, lilting guitar part for “Plans.” Everything was uncertain, but only a month afterwards, the words for the song came tumbling out of her.

“I had plans to show up again/ And be your daughter/ Do you believe me?” Silvers asks, later echoing “Daughter” with the heart-wrenching line: “I don’t want to be grown/ I want to go home.” Fittingly, the song was released as a double single alongside “Daughter” on Oct. “It just feels like everything I do is gonna be for my dad now,” Silvers remembers telling her acupuncturist a few months after his death.

“And she’s like, ‘Wasn’t it always?’ I was like, ‘Damn.’ Because, you know, it’s clear in this record that we had a complicated relationship.” Silvers hadn’t spoken to her father for two-and-a-half years when he passed. Still, many of the songs on “Daughter of Sorts” — a record originally intended to be about the growing pains of your 20s — became about him and, more broadly, the inevitable passage of time.

“There’s only two things that are certain in this life: birth and death,” she says. “And everything in between is the journey between those two absolute truths of existing.” If “From Another Room” introduced Silvers as a folk singer-songwriter to watch, “Daughter of Sorts” cements her as an artist wise beyond her years.

Equal parts devastating and uplifting, the record tackles growing up, death, grief and renewal through lyrics that are deeply personal, but still inviting. “Magnolia Tree” opens the album with a young adult’s hopeful look

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