Director Gregory Nava Remembers Dolores Huerta, the Civil Rights Icon Who Introduced Him to His Wife and Trusted Them With Her Life Story

Director Gregory Nava Remembers Dolores Huerta, the Civil Rights Icon Who Introduced Him to His Wife and Trusted Them With Her Life Story hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 28, 2026 1:16pm PT Director Gregory Nava Remembers Dolores Huerta, the Civil Rights Icon Who Introduced Him to His Wife and Trusted Them With Her Life Story By Clayton Davis Plus Icon Clayton Davis Chief Awards Editor byClaytonDavis Latest ‘You Can See Everything’ Ruled Ineligible for DGA Feature Prize, Will Compete Only in Documentary Category 1 day ago Zendaya Sets ‘Dune 3’ Oscar Campaign for Best Actress in Category Shake-Up (EXCLUSIVE) 5 days ago Pedro Pascal on Learning Cello for ‘Behemoth!,’ Why ‘You’ve Got to Eat S—’ to Make It in Hollywood and the ‘Avengers: Doomsday’ Line His Character Says 5 days ago See All Add us as a Google Preferred Source Comments Director Gregory Nava is paying tribute to civil rights icon Dolores Huerta , who died Wednesday at 96. Huerta introduced Nava to his wife, Barbara Martinez Jitner, and served as a witness at their wedding.

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In the last years of her life, she sat with them for more than 70 hours and told them things she had never told anyone. On Tuesday night, the two filmmakers drove to Bakersfield to say goodbye.

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“We were blessed to be by Dolores’ side last night in Bakersfield, to say goodbye and stand with her family in love,” Nava and Martinez Jitner wrote in a joint statement. “Dolores was a great light and a fearless warrior for justice.

She set the world ablaze with her passion for equality and inspired generations to discover their own power.” The pair have spent the better part of three years preparing the first dramatic feature about Huerta’s life, which Variety first reported in April 2024, with Nava writing and directing and Martinez Jitner co-writing and producing with him. Huerta, who had been approached by a long line of filmmakers for her life rights, chose the two people she had known for decades.

“In these last few years, Dolores and her beautiful family welcomed us even closer, entrusting us with the telling of her life — its extraordinary courage, its struggles and joys, its deepest pain,” they said. “It has been one of the greatest privileges of our professional lives, and a deeply personal trust.

We will honor it with tenderness and care, carrying her voice and her story to generations yet to come.” Nava helmed films like “El Norte,” his 1983 drama about two Guatemalan siblings crossing into the United States, which earned him an Oscar nomination for original screenplay and helped put a face on the immigration debate of the Reagan years. He followed up with the drama “Mi Familia” and the biopic “Selena,” the 1997 film that made Jennifer Lopez a movie star.

All three sit in the Library of Congress’ National Film Registry. Martinez Jitner has been his collaborator since “Selena.” In 2002, she became the first Latina to executive produce a primetime network drama with PBS’ “American Family,” which Nava created.

When Variety broke the news of the biopic, Nava described his subject as “like an earthquake that shook this country.” Huerta, for her part, said she had spent a year sharing “intimate, never before disclosed details” of her journey and

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