12 Kasım 2026, Perşembe
Dünya Magazin

‘El Mal Padre,’ Inspired by ‘a Fear of Facing Fatherhood,’ Unpacked by Director Roberto Bueso

‘El Mal Padre,’ Inspired by ‘a Fear of Facing Fatherhood,’ Unpacked by Director Roberto Bueso
‘El Mal Padre,’ Inspired by ‘a Fear of Facing Fatherhood,’ Unpacked by Director Roberto Bueso
⭐ Kategori: Dünya Magazin
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🕐 Son Güncelleme: 12.11.2026 20:29

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  • Nov 12, 2026 9:29am PT ‘El Mal Padre,’ Inspired by ‘a Fear of Facing Fatherhood,’ Unpacked by Director Roberto Bueso Bowing to praise in San Sebastián Competition and sold by Film Factory, ‘El Mal Padre’ stars Eduard Fernández, a National Cinematography Award winner in Spain By JD Linville Plus Icon JD Linville Latest Australian Director Darren Dale Bows True Crime ‘2.6 Seconds: Death in the Outback,’ Acquired by Netflix for the World, Just Before TIFF 2 months ago Stefano Knuchel Premieres Final Chapter in 20-Year Hugo Pratt Trilogy With ‘Hugo in Venice’ 2 months ago Levan Koguashvili Brings ’90s Georgia to Venice With Comedic Drama ‘Guria’ 2 months ago See All Add us as a Google Preferred Source Comments Roberto Bueso ‘s “El Mal Padre” (“The Bad Father”), a San Sebastian main competition contender sold by Film Factory, marks a tragicomic take on the mistakes of parenthood, and one son’s struggle not to repeat them.
  • Eduard Fernández (“Marco,” 2024), a four-time Goya winner and recent recipient of Spain’s National Cinematography Award, plays Santiago Balmes, a celebrated writer and academic who, in the face of a terminal diagnosis, calls together his estranged adult children with the hope of healing.
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‘El Mal Padre,’ Inspired by ‘a Fear of Facing Fatherhood,’ Unpacked by Director Roberto Bueso hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 12, 2026 9:29am PT ‘El Mal Padre,’ Inspired by ‘a Fear of Facing Fatherhood,’ Unpacked by Director Roberto Bueso Bowing to praise in San Sebastián Competition and sold by Film Factory, ‘El Mal Padre’ stars Eduard Fernández, a National Cinematography Award winner in Spain By JD Linville Plus Icon JD Linville Latest Australian Director Darren Dale Bows True Crime ‘2.6 Seconds: Death in the Outback,’ Acquired by Netflix for the World, Just Before TIFF 2 months ago Stefano Knuchel Premieres Final Chapter in 20-Year Hugo Pratt Trilogy With ‘Hugo in Venice’ 2 months ago Levan Koguashvili Brings ’90s Georgia to Venice With Comedic Drama ‘Guria’ 2 months ago See All Add us as a Google Preferred Source Comments Roberto Bueso ‘s “El Mal Padre” (“The Bad Father”), a San Sebastian main competition contender sold by Film Factory, marks a tragicomic take on the mistakes of parenthood, and one son’s struggle not to repeat them. Eduard Fernández (“Marco,” 2024), a four-time Goya winner and recent recipient of Spain’s National Cinematography Award, plays Santiago Balmes, a celebrated writer and academic who, in the face of a terminal diagnosis, calls together his estranged adult children with the hope of healing.

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Fernández leads a cast that includes Adam Jezierski (“Vota Juan,” 2019), Francesco Carril (“The New Years,” 2024), and Meritxell Calvo (“Burning Body,” 2023). Bueso co-wrote the film with Óscar Díaz Cruz.

It is his third feature after “La Banda” (2019) and “Llenos de Gracia” (2022), both of which played Spain’s Málaga Festival, and marked his first time in San Sebastián ‘s main competition. “El Mal Padre” is produced by Fernando Bovaira ‘s MOD Producciones and MOD Pictures alongside Misent Producciones and Atresmedia Cine, with the participation of Atresmedia, Netflix and Valencian public broadcaster À Punt, and financing from Spain’s ICAA.

Alex Catalán served as cinematographer. Caramel Films will release the film in Spanish theaters on Nov.

Variety spoke with Bueso about “El Mal Padre.” This film was born out of losing your father and becoming one yourself. How did making the film help you process these difficult life changes?

It has been a very positive therapeutic process. Starting from my own experience gives you a solid foundation to work with conviction and honesty.

Óscar Díaz Cruz, my writing partner, also became a father for the first time while we were looking for the story. We realized that the questions we were asking ourselves had to do with the fear of facing fatherhood.

Our generation has reflected on and come to realize that many of the ideas held by the previous generation about the role of men, and therefore of fathers, can no longer be applied to ours. We wanted to try to bring those ideas into dialogue.

Eduard Fernández has talked about how hard it was to play someone this unlikeable. What did you two decide was the line for the character?

We never talked about specific red lines. We wanted the character to be very emotionally clumsy.

He had made a lot of mistakes on an emotional level, causing a great deal of pain around him, but he still tried to justify himself. We didn’t want to judge the character.

For Eduard and me, it was important to maintain the character’s harshne

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