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- Nov 13, 2026 9:00am PT Evil Moms: From ‘East of Eden’ to ‘Carrie,’ TV’s Latest Trope Is Honoring Women Who Choose Themselves By Aramide Tinubu Plus Icon Aramide Tinubu Latest Anthony Mackie and Jamie Dornan’s Heist Drama ’12 12 12′ Feels Like a Bad Video Game: TV Review 3 hours ago Netflix’s Genre-Bending YA Drama ‘The Body’ Is a Queer Y2K Extravaganza: TV Review 2 days ago ‘Wanted’ Broadway Review: Dazzling Cast Can’t Elevate the Musical’s Muted Narrative 5 days ago See All Add us as a Google Preferred Source Comments Television has recently been preoccupied with evil moms, or at least that’s who they appear to be at first glance.
- In Zoe Kazan’s sweeping adaptation of John Steinbeck’s “ East of Eden ,” Lee (Hoon Lee), the Trask family’s domestic servant and surrogate father to the twin boys Aron (Joe Anders) and Cal (Joseph Zada), offers a poignant reflection.
- “There’s a beauty in the truth, even if it’s a dreadful beauty,” he says.
Evil Moms: From ‘East of Eden’ to ‘Carrie,’ TV’s Latest Trope Is Honoring Women Who Choose Themselves hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 13, 2026 9:00am PT Evil Moms: From ‘East of Eden’ to ‘Carrie,’ TV’s Latest Trope Is Honoring Women Who Choose Themselves By Aramide Tinubu Plus Icon Aramide Tinubu Latest Anthony Mackie and Jamie Dornan’s Heist Drama ’12 12 12′ Feels Like a Bad Video Game: TV Review 3 hours ago Netflix’s Genre-Bending YA Drama ‘The Body’ Is a Queer Y2K Extravaganza: TV Review 2 days ago ‘Wanted’ Broadway Review: Dazzling Cast Can’t Elevate the Musical’s Muted Narrative 5 days ago See All Add us as a Google Preferred Source Comments Television has recently been preoccupied with evil moms, or at least that’s who they appear to be at first glance. In Zoe Kazan’s sweeping adaptation of John Steinbeck’s “ East of Eden ,” Lee (Hoon Lee), the Trask family’s domestic servant and surrogate father to the twin boys Aron (Joe Anders) and Cal (Joseph Zada), offers a poignant reflection.
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“There’s a beauty in the truth, even if it’s a dreadful beauty,” he says. Often, we evade or step around the facts.
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Hollywood ve dünya yıldızlarının hayatındaki son gelişmeler, küresel magazin basınının manşetlerini süslüyor.
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But dishonesty, no matter how innocent, is extremely harmful. The truth is that the world has rarely, if ever, been a safe space for women.
To come of age in a patriarchal and violent society is a horrific thing. It corrodes the mind.
It also forces girls and women to choose between two distinct paths. You either lean into male-centeredness or shun it entirely.
Unfortunately, because patriarchy is a system that cannot be usurped, whether you lean toward it or try to burn it down, you will always be seen as monstrous by someone. Related Stories ‘El Mal Padre,’ Inspired by ‘a Fear of Facing Fatherhood,’ Unpacked by Director Roberto Bueso ‘Nobody Wants This’ Renewed for Season 4 at Netflix Television programming typically works in conversation with popular culture.
Currently, there is a lot to be said about motherhood, women’s experiences across time and what it truly means to be evil. Netflix’s “ Monster: The Lizzie Borden Story ” and “East of Eden,” Peacock’s “Friday the 13th” prequel “ Crystal Lake ,” Prime Video’s “ Carrie ” and Hulu’s comedic thriller “ Phony ” are distinct entities that all speak to one another.
These are narratives centered on women reclaiming their stories from men who have only been able to view them in limited ways. These shows are all about women who have done horrendous things.
However, their actions, despite how they’re presented on the surface, have not been without reason. In popular culture, men are depicted as barbarous, causing harm with impunity.
Their behaviors are justified because, under patriarchy, men are poorly socialized and rely on women for empathy, care and comfort. As a result, when villainous men appear on screen in series like Ryan Murphy’s “Monster” franchise, Starz’s “Power” universe or HBO’s “Half Man,” they are senselessly volatile, nasty and murderous.
This is not to suggest that women are immune to psychopathy. Yet their rates are far lower than men’s.
Moreover, by living in a world not built for them, many women have learned to mask their most callous traits, making them unassuming and often, more lethal. When a woman is outwardly sinister, it typically shocks those around her.
As Cathy Ames (Florence Pugh) reflects in “East of Eden,” “Evil is not always apparent at first glance; it can come cloaked in beauty or goodness or love.” Furthermore, when people learn these depraved women are mothers, it completely upends how the matriarchal role is viewed, making them all the more compelling. Perhaps it’s the nature of
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