‘Ghost Soldier’ Review: Jim Caviezel Is a Superheroic Soldier in an Uninspired, Retrograde Actioner

‘Ghost Soldier’ Review: Jim Caviezel Is a Superheroic Soldier in an Uninspired, Retrograde Actioner hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 12, 2026 3:24am PT ‘Ghost Soldier’ Review: Jim Caviezel Is a Superheroic Soldier in an Uninspired, Retrograde Actioner William Eubank’s patriotic exercise casts the ‘Sound of Freedom’ star as a former Special Forces man defending his small Wyoming town from foreign corporate overlords. By Todd Gilchrist Plus Icon Todd Gilchrist Latest ‘Matchbox: The Movie’ Review: John Cena Can’t Make This Toy-Car Spinoff Feel Grownup 1 month ago ‘Mayday’ Review: Ryan Reynolds and Kenneth Branagh Are Unlikely Cold War Buddies in a Pleasing Eighties Throwback 2 months ago ‘72 Hours’ Review: Kevin Hart Tries to Be Down With the Kids in a Mediocre ‘Hangover’ Knockoff 4 months ago See All Add us as a Google Preferred Source Comments If “Walk Hard” was the parody that made it harder to take seriously subsequent music biopics, “MacGruber” did the same for a certain subset of action movies.

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Directed by William Eubank (“Underwater”), “ Ghost Soldier ” stacks up one-man-army cliches as early as the opening credits and continues as if no one’s ever told the story of an individual with a certain set of skills defending the sovereignty of blue-collar Americans from deep-pocketed and unscrupulous foreign interests. Related Stories Dear Oscars: Don’t Let Laika and ‘Wildwood’ Fail.

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There Is No Backup Stop-Motion Studio Waiting in the Wings Patrick Stewart Changed Genre Acting Forever With ‘Star Trek’ and ‘X-Men’ Jim Caviezel , who’s increasingly made himself a Hollywood representative for politically conservative ideologies with projects like “Infidel” and “Sound of Freedom” (not to mention a series of faith-based projects that began with “The Passion of the Christ”), does little to dispel that association as this film’s tireless, technologically advanced and morally upright title character. But Eubank’s glossy direction, paired with a merciless urgency (and complete lack of originality) in Chris Papsadero’s script, renders the story’s ripped-from-the-headlines details with too little dimensionality even for it to deliver the satisfaction of a good, bloody B-movie.

Caviezel plays Henry “Fitz” Fitzgerald, a former Special Forces soldier who retires to Valentine, Wyoming to live in relative anonymity while still designing advanced weapons for DARPA, the Department of Defense’s research and development agency. When “water monetization” company Brownstone begins buying up land around Midwest rivers and lakes for sale to AI companies for their data centers, its CEO (Mido Hamada) instructs his U.S.

representative Ty Bell (Alexej Manvelov) to apply pressure — financial or physical — to coerce holdouts in Valentine. Using enforcers Graves (Garret Dillahunt) and McNeil (Ricky Whittle), Bell tries to bully the nearby Hernandez family into yielding their property, first by declaring eminent domain and later by setting their home on fire.

After befriending the Hernandez’ young son Jack (Cameron Gayden), Fitz steps in to protect them using a variety of cutting-edge weapons he has stored in a bunker below his own home. After Graves realizes that the former soldier will present a bigger problem even than his armed “security team” can handle, Brownstone sends in a well-trained group of mercenaries led by Mirko (Beau Knapp) to flush him out and deliver the remaining parcels of land.

Aided by gun dealer Garry (Michael Ironside) and a sheriff, Heidi (Olivia Thirlby), who ran afoul of corrupt local leadership, Fitz announces plans to exact vengeance against bloodthirsty Mirko and dri

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