‘Godzilla Minus Zero’ and ‘Ramayana: Rise of a Legend’ Roar at International Box Office

‘Godzilla Minus Zero’ and ‘Ramayana: Rise of a Legend’ Roar at International Box Office hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 8, 2026 3:22pm PT ‘Godzilla Minus Zero’ and ‘Ramayana: Rise of a Legend’ Roar at International Box Office By Naman Ramachandran Plus Icon Naman Ramachandran Latest ‘The Undertaker’ Director Thiti Srinuan Reveals He Defecated on Camera for Real as an Actor in Thailand’s Taibaan Universe 19 hours ago AI Could Make Filmmaking Costlier Than the 35mm Era, Korean Pioneers Warn at Taiwan Creative Content Fest 23 hours ago Papua New Guinea’s Most Expensive Film, ‘Mussau: The First Song,’ Wraps Shoot, Unveils First Looks (EXCLUSIVE) 23 hours ago See All Add us as a Google Preferred Source Comments Asian cinema dominated the worldwide box office over the weekend as Toho and Takashi Yamazaki’s “ Godzilla Minus Zero ” and Namit Malhotra and Nitesh Tiwari’s Indian epic “ Ramayana : Rise of a Legend” posted thunderous global debuts, fueled by historic attendance on premium large format and Imax screens. Leading the charge across the globe, “Godzilla Minus Zero” stomped to a massive $63 million worldwide bow, led by a scorching $31.6 million North American debut via distributor GKIDS and an additional $31.4 million from international territories.

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The R-rated monster sequel shattered the long-standing domestic milestone for the largest opening ever for a live-action foreign-language film, comfortably besting the previous high-water mark set by Zhang Yimou’s martial arts spectacle “Hero,” which opened to $17.8 million in 2002. Related Stories Papua New Guinea’s Most Expensive Film, ‘Mussau: The First Song,’ Wraps Shoot, Unveils First Looks (EXCLUSIVE) Audience and critical reception ran sky-high, boasting a 90% fresh rating on Rotten Tomatoes and an “A” grade from CinemaScore exit polling.

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Premium formats played an outsized role in the titan’s rampage, with PLF auditoriums, including Dolby, accounting for a staggering 74% of domestic ticket sales, outperforming recent visual benchmarks like “The Odyssey,” which drew 53% from PLFs during its debut. Globally, “Godzilla Minus Zero” brought in $21.3 million from Imax screens alone, capturing 34% of its worldwide total and establishing a new record for the highest global Imax opening ever for a Japanese title.

In North America, Imax generated $12.7 million across 429 venues, representing 40% of its domestic haul and registering the highest Imax opening weekend indexing of all time. Internationally, Imax screens added $8.6 million from 421 screens across 64 overseas markets, propelled by a record-setting $4 million haul in Japan, which now stands as the territory’s biggest Imax launch in history.

“With ‘Godzilla Minus Zero,’ Takashi Yamazaki and our friends at Toho have delivered a tremendous feat of filmmaking with arresting visuals that somehow top its predecessor; we are proud to call this the first Filmed For Imax release from Japan and delighted fans are overwhelmingly choosing to experience it in on our screens,” said Rich Gelfond, CEO of Imax. “Japan continues to be among the biggest success stories across our global footprint, and we know this historic success will only create further opportunities for filmmaker partnership and network growth in this thriving marketing for cinema.” Right behind the radioactive reptile, “Ramayana: Rise of a Legend” staged an unprecedented global launch of its own, collecting a studio-reported $55.7 million global cume.

That launch establishes a new Diwali holiday opening record for an Indian production. Presented by Sony Pictures and Prime Focus Studios in associat

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