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Goldwyn Bets on French WW2 Epic ‘De Gaulle’ Crossing Over to U.S. Audiences: ‘It’s the Story of an Ally’

Goldwyn Bets on French WW2 Epic ‘De Gaulle’ Crossing Over to U.S. Audiences: ‘It’s the Story of an Ally’
Goldwyn Bets on French WW2 Epic ‘De Gaulle’ Crossing Over to U.S. Audiences: ‘It’s the Story of an Ally’
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🕐 Son Güncelleme: 09.11.2026 06:17

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  • Nov 8, 2026 7:16pm PT Goldwyn Bets on French WW2 Epic ‘De Gaulle’ Crossing Over to U.S.
  • Audiences: ‘It’s the Story of an Ally’ The first part of the historical saga, ‘De Gaulle: Resistance,’ was released in the U.S.
  • this weekend, and has just sold to China.

Goldwyn Bets on French WW2 Epic ‘De Gaulle’ Crossing Over to U.S. Audiences: ‘It’s the Story of an Ally’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 8, 2026 7:16pm PT Goldwyn Bets on French WW2 Epic ‘De Gaulle’ Crossing Over to U.S. Audiences: ‘It’s the Story of an Ally’ The first part of the historical saga, ‘De Gaulle: Resistance,’ was released in the U.S.

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this weekend, and has just sold to China. By Elsa Keslassy Plus Icon Elsa Keslassy International Correspondent @elsakeslassy Latest French Cinema Is Thriving at Festivals but Facing an Uphill Battle in U.S.

İlginizi çekebilir: French Cinema Is Thriving at Festivals but Facing an Uphill Battle in U.S. Theaters as Distributors Navigate a Shrinking Market

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Hollywood ve dünya yıldızlarının hayatındaki son gelişmeler, küresel magazin basınının manşetlerini süslüyor.

Ayrıca göz atabilirsiniz: China Box Office: ‘Traces of Justice’ Reclaims Top Spot as Local Debuts ‘Embers’ and ‘The Coffin Swap’ Arrive detayları için tıklayın.

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Theaters as Distributors Navigate a Shrinking Market 1 day ago ‘Triplets of Belleville’ Director Sylvain Chomet Fires Back at AI Accusations Over Dior Film Featuring Robert Pattinson’s Voice: ‘Everything Was Drawn by Hand’ (EXCLUSIVE) 2 days ago ‘You Can See Everything’ Sparks Frenzy in Europe as Screenings Sell Out and Anticipation Soars: ‘People Are Just Desperate to See It’ 2 days ago See All Add us as a Google Preferred Source Comments Antonin Baudry ’s two-part World War II epic about Charles de Gaulle made its U.S. premiere Saturday at the American French Film Festival in Los Angeles, drawing a seven-minute standing ovation after both installments, each running more than two and a half hours, played back-to-back to packed audiences at the DGA Theater.

The €74 million production, starring Simon Abkarian as the French general and Simon Russell Beale as Winston Churchill, marks one of Pathé ’s boldest gambles following “The Count of Monte Cristo” and the two-part “The Three Musketeers,” which were also distributed in the U.S. by Samuel Goldwyn Films.

Related Stories Actors on the Verge of Losing SAG-AFTRA Health Insurance Find Support via ‘One Job Away’ Instagram Campaign: ‘The System Is Not Working’ SAG-AFTRA Extends Duncan Crabtree-Ireland’s Contract and Adds CEO to Title After a slow start in France, the films quietly gained momentum through word of mouth, becoming a domestic box office success and selling over six million tickets, and are now gaining traction internationally. In the U.K., the first installment, “De Gaulle: Resistance,” which charts De Gaulle’s heroic battle to build a Resistance movement after France surrendered to Nazi Germany in 1940, currently ranks as the highest-grossing French-language film of the year.

“De Gaulle” has also just been acquired in China – a rare feat — where Light Films will release it in late November. In the U.S., Goldwyn is rolling out the epic theatrically across major U.S.

markets, including New York, Los Angeles, Chicago, San Francisco, Washington, D.C., Seattle, Austin, Minneapolis, Houston and Atlanta, while making it available nationwide on transactional VOD. The second film, “De Gaulle: Liberty” will be released in early December.

Speaking to Variety during the American French Film Festival, Peter Goldwyn said he’s betting that the sprawling saga can appeal to U.S. audiences even if it revolves around a French historical figure that many aren’t familiar with.

“The films have proven themselves, and audiences are audiences, whether they’re American or French,” Goldwyn said. “It’s an amazing feat of filmmaking that you don’t quite see anymore and ultimately, World War II is an easy entry point for U.S.

audiences have been very much enthusiastic consistently about stories about Roosevelt, about Churchill, and I think that the story of De Gaulle is relatively untold in America,” he continued, adding that the “staggering scope and scale of what (De Gaulle) accomplished as one man is pretty amazing.” Goldwyn argued that the films’ cinematic ambition places

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