Inside the First AI Music Awards, a Chaotic Evening Attempting to Normalize Tech-Assisted Tunes

Inside the First AI Music Awards, a Chaotic Evening Attempting to Normalize Tech-Assisted Tunes hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 14, 2026 3:39pm PT Inside the First AI Music Awards, a Chaotic Evening Attempting to Normalize Tech-Assisted Tunes By Corbin Bolies Plus Icon Corbin Bolies Latest Nearly 80% of ACE Editors Surveyed Are Using AI, New Report Finds: ‘You Adapt or Die’ 1 day ago Frankie Muniz Hospitalized After Crashing Race Car at Daytona 3 days ago AI Audio Startup ElevenLabs Expands Nvidia Collaboration Amid CEO Jensen Huang’s Affair Scandal 3 days ago See All Add us as a Google Preferred Source Comments I knew things were a little off when the first thing I heard on my walk to the AI Music Awards was “the winner…” followed by the sweet voice of Kelly Clarkson. No, Miss American Idol did not abandon her feud with the Brooklyn bird to capitalize on her newfound appreciation for AI .

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But as I approached the Mayan Theater in Downtown Los Angeles on a sunny afternoon to check in for Friday’s inaugural “AI Music Awards,” powered by the “ Sonic Intelligence Academy ” or “SIQA,” I wondered if her voice was so strong as to echo through the nearly century-old theater-turned-nightclub’s walls. Alas, not so: It was Clarkson’s Christmas classic “Underneath the Tree,” playing from speakers at a local YWCA event across the street.

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Related Stories Serielizados Takeaways: From HBO Max-3CAT New Show ‘The Orphans’ to ‘This is Not Finland,’ Catalonia Shows the Way to Quality Content and Partnerships Cineplex Boards Sanfic Title ‘La Residencia’ From ‘Algo Azul’ Director Mariel García Spooner To qualify for the awards, artists needed to register their tracks to SIQA’s “Verified Registry,” which denotes whether the song was fully AI-generated, made with the assistance of AI or featured a cloned human voice to lead the tune (what the group calls a “human + AI hybrid”). Registered artists then nominate their peers in the 25 categories up for consideration — everything from “AI Song of the Year” to “Best AI Pop Song” to “Best AI Comedic Song” — and then vote on the winners.

One of those nominees was Xania Monet, the AI persona of Telisha “Nikki” Jones, who a day earlier won the AI Album of the Year category at SIQA’s inaugural summit and who would eventually go on to win both artist and song of the year, three out of four of the awards’ top categories. (The fourth, producer of the year, went to “DJ Shawn Q.”) The Sonic Intelligence Academy is the brainchild of software engineer Timirah “TJ” James and her sister Mia James.

Since its January launch, it has worked to establish an awards program to counter the mainstream music industry’s aversion to AI. The group believes there needs to be infrastructure that supports those using AI to create music, rather than dismissing its existence, and it hopes to be an AI counterpart to the longstanding Recording Academy that governs the Grammy Awards.

It advocates for artists to publicly associate themselves with their AI-powered work, eager to highlight the humans who helped create the product. It’s a noble, if surprising, decision to embrace its role as counterculture when AI artists continue to pursue a Billboard charting position.

Some of its methods are a little overt, perhaps intentionally: After some in the industry spurned the idea of AI-generated music charting on Billboard’s industry-standard charts, the group used a week in January ahead of the Grammys to launch its own charts exclusively for AI music. The Mayan is a 12-minute walk from the Crypto.com Arena, the Grammys’ longtime home.

The moves are not subtle, but subtlety is

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