Invercine, Gema Films and Gaman Cine, Top Producers on Latin America’s Film-TV Scene, Bring to Market New Productions

Invercine, Gema Films and Gaman Cine, Top Producers on Latin America’s Film-TV Scene, Bring to Market New Productions hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 2, 2026 11:59am PT Invercine, Gema Films and Gaman Cine, Top Producers on Latin America’s Film-TV Scene, Bring to Market New Productions Sanfic Industria’s WIP Iberoamericana, its industry centrepiece featuring eight movies in post-production, also weighs in as a platform for emerging directors from across Latin America By John Hopewell Plus Icon John Hopewell Chief International Correspondent john_hopewell Latest ‘Blindspot Berlin,’ a Beta Film TIFF Standout With ‘All Quiet’ Star Albrecht Schuch, Seals Deal for Spain With Filmin (EXCLUSIVE) 3 days ago South International Series Festival: ‘American Hostage,’ Ronan Bennett, Great European Series and Andalusia’s TV Build 6 days ago Lula’s Election Win: How Fan Accounts for Taylor Swift, Billie Eilish and More Helped Him to a Historic Victory and Defeat for Trump 1 week ago See All Add us as a Google Preferred Source Comments Invercine , Gema Films and Gaman Cine , top producers on Latin America’s film-TV scene, will bring to market their latest productions at Sanfic Industria in its industry centerpiece, WIP Iberoamericana. Turning on Alejandro Zambra, one of Latin America’s most-read novelists whose “Poeta Chileno” is currently being adapted by Oscar winning Sebastián Lelio (“A Fantastic Woman”), “Zambra,” directed by Paula Leonvendagar, is backed by Invercine.

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Related Stories Aerosmith Joined by Dave Grohl and Johnny Depp at Hollywood Bowl for First Show in Three Years, as GNR and Black Crowes Open With Tribute Sets: Concert Review Led by Macarena and Matías Cardone, the Chilean production house has proved a pioneer on Latin America’s premium series scene, behind top-notch premium series such as “News of a Kidnapping,” “Dignity,” “Ramona” and “Mary & Mike.” Directed by Agustina Pérez Rial, “The Other Voice,” an intimate first-person portrait of Mercedes Sosa, is lead produced by Nicolás Gil Lavedra (“Las grietas de Jara”) at Argentina’s Gaman Cine, co-founded with Emiliano Torres, director of “El invierno.” The debut of DP-turned-helmer Marchesini Weihmuller, nominated for his cinematography on Clarisa Navas’ “One in a Thousand,” “Hot Springs” is produced by Gema Juárez’s Allen’s Gema Films, behind “Reas,” ”The Castle” and “Pornomelancholy.” Co-producing WIP Iberoamericana title “The Grass Along the Path,” Cinestación, headed by Dominga Sotomayor (“La Perra”) and Omar Zúniga (The Strong Ones”), was also behind “Chile ’76.” “The Grass Along the Path” is directed by Fernando Lavanderos, one of the mid-2000s “Novíssimo” Chilean Cinema movement which heralded the emergence of a clutch of young star auteurs. Nicolas Videla, a leading director on Chile’s LGBTQ scene, helms “The Criminal Record of Madame Wittmann.” Leonvendagar, Pérez Rial and Marchesini Weihmuller are just beginning their careers, as are other directors of titles at WIP Iberoamericana.

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The industry strand, for example, will highlight a second chance later life dramedy from Panama’s Mariel García Spooner whose debut, 2021’s “Algo Azul,” proved a HBO Max U.S. pickup and Prime Video buy for Latin America, and “Las Visitantes” from Afro-Colombian producer-director Yurieth Romero Velásquez, producer of the Premios Macondo nominated short “El hombre sin cabeza.” “The Cry of Serankwa,” marks the second feature from Yull Núñez, whose debut, “El Silencio de los Palafitos,” scored an honorable mention at Miami’s Ibero-American Film Festival, and is spoken in Iku, an Indigenous language in Colombia’s highest mountains.

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