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- Oct 23, 2026 2:34am PT Kore-eda Hirokazu Ditched AI Notes on His ‘Sheep in the Box’ Script: ‘I’d Like to Stand on the Human Side’ By Naman Ramachandran Plus Icon Naman Ramachandran Latest Peter Chan Rules Out AI-Generated Content, Says Feature Films Will Survive the Rise of Vertical Dramas 9 hours ago Aamir Khan Tears Up About His Family, Shares Updates on ‘3 Idiots 2,’ ‘Andaz Apna Apna 2’ at Singapore Film Fest 19 hours ago ‘The History Boys’ Returns to London West End After 20 Years, With Nicholas Hytner Back Directing Alan Bennett’s Play 1 day ago See All Add us as a Google Preferred Source Comments Kore-eda Hirokazu ran the screenplay for his AI-themed Cannes title “ Sheep in the Box ” past a generative AI chatbot, then cut it loose after concluding that notes from something with no personal history with cinema were of no use to him.
- Kore-eda, who is receiving the Cinema Honorary Award at the Singapore International Film Festival , says he shared the script with the chatbot because of the film’s subject matter and went back and forth with it several times.
- He nicknamed it “Chat-kun.” Related Stories ‘The Notebook’ Musical Sets West End Run at Newly Renamed Judi Dench Theatre ‘Bridgerton’ Breakout Hannah Dodd to Lead Lucas Jones’ Romantic Drama ‘Miss You Forever, Zara Drake’ (EXCLUSIVE) Set in the near future, “Sheep in the Box,” which debuted at Cannes, follows a couple whose 7-year-old son died two years earlier and take in a humanoid robot built from his data.
Kore-eda Hirokazu Ditched AI Notes on His ‘Sheep in the Box’ Script: ‘I’d Like to Stand on the Human Side’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 23, 2026 2:34am PT Kore-eda Hirokazu Ditched AI Notes on His ‘Sheep in the Box’ Script: ‘I’d Like to Stand on the Human Side’ By Naman Ramachandran Plus Icon Naman Ramachandran Latest Peter Chan Rules Out AI-Generated Content, Says Feature Films Will Survive the Rise of Vertical Dramas 9 hours ago Aamir Khan Tears Up About His Family, Shares Updates on ‘3 Idiots 2,’ ‘Andaz Apna Apna 2’ at Singapore Film Fest 19 hours ago ‘The History Boys’ Returns to London West End After 20 Years, With Nicholas Hytner Back Directing Alan Bennett’s Play 1 day ago See All Add us as a Google Preferred Source Comments Kore-eda Hirokazu ran the screenplay for his AI-themed Cannes title “ Sheep in the Box ” past a generative AI chatbot, then cut it loose after concluding that notes from something with no personal history with cinema were of no use to him. Kore-eda, who is receiving the Cinema Honorary Award at the Singapore International Film Festival , says he shared the script with the chatbot because of the film’s subject matter and went back and forth with it several times.
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He nicknamed it “Chat-kun.” Related Stories ‘The Notebook’ Musical Sets West End Run at Newly Renamed Judi Dench Theatre ‘Bridgerton’ Breakout Hannah Dodd to Lead Lucas Jones’ Romantic Drama ‘Miss You Forever, Zara Drake’ (EXCLUSIVE) Set in the near future, “Sheep in the Box,” which debuted at Cannes, follows a couple whose 7-year-old son died two years earlier and take in a humanoid robot built from his data. Ayase Haruka plays Otone, an architect who throws herself into caring for the robot, while comedian Yamamoto Daigo, in his first lead role, plays her husband Kensuke, who insists it is only a machine.
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Popular on Variety “It praised me a lot. Lots of praise, and then something like, ‘However, if you fleshed out the protagonist’s mother a little more, it would be a better film.’ What it said was correct,” Kore-eda tells Variety .
“But it only ever says correct things. And I wondered what it was that made this so boring.” Plenty of films are already being made by following that kind of advice, he says, pointing to action movies where a fight on the roof of a train arrives exactly when you expect it.
“Situations all start to look alike: ‘They’ll go into a tunnel here,’” he says. “There are lots of films now that make you think there’s some computer serving as the model.” His conclusion was that the chatbot has probably never lived a life that needed cinema.
It may hold more film data than any ordinary viewer, he says, but it has no film that changed its life and no personal film history — not even the experience of getting hooked on something trashy before slowly learning what makes a movie good. “However few films a person has seen, however skewed their taste, the opinion of someone who has a film that changed their life will lead to more interesting work in the end,” Kore-eda says.
“After a few rounds I became convinced of that, so I ended our relationship there.” He did not use AI on the film. The question of what humans “should” do in filmmaking is the wrong one, he says.
Robots may one day outrun people, yet the Olympic 100 meter races will still be held and audiences will still be moved. “That’s not because we should.
It’s because it’s fun,” he says. “In the same way, the act of making things is fun.
I’d like to stand on the human side. So I intend to keep AI out of the process as much as possible.” The festival is also screening “ Look Back ,” Kore-eda’s live-action adapt
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Kore-eda Hirokazu Ditched AI Notes on His ‘Sheep in the Box’ Script: ‘I’d Like to Stand on the Human Side’ konusunda meydana gelen son dakika magazin gelişmeleri aktarılmaktadır.
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