Kore-eda Hirokazu Hails Japanese Cinema’s Global Moment as Ninomiya Kazunari, Academy’s Amy Homma and ‘Kokuho’ Producer Murata Chieko Take Stage at Kering Women in Motion Tokyo Event

Kore-eda Hirokazu Hails Japanese Cinema’s Global Moment as Ninomiya Kazunari, Academy’s Amy Homma and ‘Kokuho’ Producer Murata Chieko Take Stage at Kering Women in Motion Tokyo Event hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 27, 2026 9:34pm PT Kore-eda Hirokazu Hails Japanese Cinema’s Global Moment as Ninomiya Kazunari, Academy’s Amy Homma and ‘Kokuho’ Producer Murata Chieko Take Stage at Kering Women in Motion Tokyo Event By Mark Schilling Plus Icon Mark Schilling Japan Correspondent Latest Tokyo Opener ‘Sukiyaki’ Director Zeze Takahisa on the Protest Roots of a Global Japanese Pop Hit: ‘The Culture Used to Be Wide Open – Now It’s Become Narrower’ 3 hours ago Tokyo Film Festival Opens With ‘Sukiyaki’ and a Plea for Peace as Japan’s Government Restates Global Content Ambitions 2 days ago ‘Avengers’ Studio AGBO’s Chris Brearton, Dominic Hughes to Keynote Tokyo Market on Artist-Led AI in Storytelling 1 month ago See All Add us as a Google Preferred Source Comments Kering Women in Motion , an allied program of the Tokyo International Film Festival , held a talk event on Tuesday at Toho Cinemas Roppongi Hills for a packed crowd. Director Kore-eda Hirokazu (“Shoplifters”) opened the event with brief remarks.

⭐ Olayın Perde Arkası ve Merak Edilenler

“In recent years, I’ve been hearing people at international film festivals say, ‘Japanese films are really interesting right now.’ That’s a sentiment we didn’t hear 10 years ago,” he said. “Led by Hamaguchi Ryusuke and Fukada Koji, directors in their 20s and 30s have been taking their works overseas, and through their accumulated efforts and recognition, the attention given to Japanese films has been increasing.

İlginizi çekebilir: Japanese Producers Drive Tokyo Market Growth as Exhibition Space Sells Out

Hollywood ve dünya yıldızlarının hayatındaki son gelişmeler, küresel magazin basınının manşetlerini süslüyor.

Ayrıca göz atabilirsiniz: Her üniversiteye aynı pankart asılıyor detayları için tıklayın.

💬 Sosyal Medyada Geniş Yankı Uyandırdı

How to pass this on to the next generation and spread it further is a challenge for the older generation, and I think it’s also very important for film fans who are exposed to these works.” Related Stories Ryan Gosling’s Zero-G Stunts on ‘Project Hail Mary’ Broken Down by the Space Epic’s VFX Supervisors ‘Project Hail Mary’ Composer Daniel Pemberton, ‘KPop Demon Hunters’ Songwriter EJAE Triumph at World Soundtrack Awards The panelists – Arashi singer and actor Ninomiya Kazunari, producer Murata Chieko and Amy Homma, director and president of the Academy Museum of Motion Pictures and Academy Collection – spoke about the present and future of Japanese cinema, as well as diversity and inclusion in the industry, with journalist Tatsuta Atsuko serving as facilitator. “I’m a Japanese-American woman and I’m a Jewish American woman – and both of those cultures and ethnicities carry deeply long lineages of history,” Homma said.

“I’m very lucky to have been raised with the awareness that multiple truths can exist at the same time.” National cinemas also exist parallel to each other, she added, but “that does not make one more important or one more harder than the other,” she said. “American film history is just as important as Japanese film history and just as important as French film history.” By taking a broad view of film history and experiencing different types of cinema, she said, “We allow ourselves to learn so much more about a lived experience that’s outside of our own, because there’s no better way to develop empathy to develop cultural understanding than through watching a movie.” Ninomiya, who first came to international attention for his starring role in Clint Eastwood’s Academy Award-winning World War II drama “Letters from Iwo Jima,” said that working on an international production “presented both differences and learning opportunities for me as an actor.” One difference, he found, was the staff’s tendency “to ask more questions” than they would on a Japanese set.

“They ask things like, ‘What is this?’ or ‘How do you use this?’” The result, h

Gelişmelere ilişkin tüm sıcak açıklamalar, fotoğraf kareleri ve magazin dünyasından son dakika haberleri magazinsitesi.com üzerinden anlık olarak güncellenmektedir.