Like Its Hero, Marvel’s ‘VisionQuest’ Struggles to Connect Emotionally: TV Review

Like Its Hero, Marvel’s ‘VisionQuest’ Struggles to Connect Emotionally: TV Review hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 12, 2026 12:00pm PT Like Its Hero, Marvel’s ‘VisionQuest’ Struggles to Connect Emotionally: TV Review By Alison Herman Plus Icon Alison Herman TV Critic aherman2006 Latest ‘Avatar: Seven Havens’ Takes the Franchise in an Intriguing, Postapocalyptic New Direction: TV Review 4 days ago CBS Vampire Sitcom ‘Eternally Yours’ Is a Genial Riff on ‘Ghosts’: TV Review 4 days ago Silicon Valley Legal Drama ‘Cupertino’ Is a Breathless, Whip-Smart Tour of AI Insanity From Robert and Michelle King: TV Review 4 days ago See All Partway through “ VisionQuest ,” the titular android Vision (Paul Bettany) attempts to help a British teenager named Tommy (Ruaridh Mollica) understand the precise nature of their relationship. The truth goes something like this: Vision is a reconstituted version of his former self, who was killed by Thanos in “Avengers: Infinity War” and then kinda-sorta brought back sans memories by his wife Wanda Maximoff (Elizabeth Olsen), a grieving witch, in the 2021 series “WandaVision”; Tommy is an ordinary person suddenly imbued with the consciousness and abilities of a child Wanda invented with magic, which survived the collapse of his mother’s suburban simulation and crossed the pond in search of a host.

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Related Stories Blumhouse Atomic Monster Inks Short Film Development Deal with Horror Creator Heidi Wong Marvel’s ‘VisionQuest’ Surprise Premieres at NYCC and Earns Glowing First Reactions: ‘A Worthy Successor’ to ‘WandaVision’ Vision runs a simulation where he struggles, over and over again, to condense all this lore and explain it to Tommy in a way that doesn’t overwhelm him with anger and confusion. There’s not a single version that doesn’t end with Tommy storming out of the room.

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Popular on Variety This is more or less how it feels to watch “VisionQuest,” an eight-episode Marvel Studios series that’s positioned as a sequel of sorts to “WandaVision.” The show plays with some clever concepts, particularly in its visual presentation; as the simulation scenarios pile up, so do Vision clones until a dozen exhausted, exasperated Bettanys all collapse on a hotel floor. (Much of “VisionQuest” strips away the monochrome coating to show Vision as an ordinary human, allowing Bettany to flex his fusty charm.) But this imagery is larded with so much convoluted backstory and abstract concepts that “VisionQuest” ends up in the exact same predicament as Vision himself, a synthetic being trying and mostly failing to connect with his emotions.

Artificial intelligence has long been a staple of comics and other forms of science fiction, but as real-life AI companies talk seriously about potential sentience, there’s a topical slant to Vision’s preferred strategy for getting in touch with his feelings. He’s created and/or convened a bunch of autonomous AIs — what we would now call “agents,” though creator Terry Matalas may have overseen the scripts before that term fully entered the popular lexicon — to help him with various tasks.

(Orla Brady), who helps decode social interactions, and E.D.I.T.H. (Emily Hampshire), who’s a proponent of fun.

(Henry Lewis) and U (Jonathan Sayer) tend to the more mundane work of keeping internal systems in shape. Finally, there are more familiar figures from earlier stages of the MCU: Tony Stark’s old pal J.A.R.V.I.S.

(James D’Arcy) is on hand; most intriguingly, so is Ultron (James Spader), the namesake antagonist of the second “Avengers” film. All these assistants take cor

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