‘Lilo & Scratch’: Disney Animation Blends 2D and 3D to Bring Back Stitch to the Big Screen in a New Short

‘Lilo & Scratch’: Disney Animation Blends 2D and 3D to Bring Back Stitch to the Big Screen in a New Short hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 13, 2026 9:00am PT ‘Lilo & Scratch’: Disney Animation Blends 2D and 3D to Bring Back Stitch to the Big Screen in a New Short By Carole Horst Plus Icon Carole Horst Latest AI ‘Gods,’ Big-Budget Sci Fi, Star-Studded Genre Pics and More Generate Buzz at AFM 2 days ago AFM: First Look at Highland Film Group Thriller ‘The Black Demon: Atlantis’ Starring Jack Kesy (EXCLUSIVE) 3 days ago The ‘Air Bud Returns’ Team Hits AFM With Reenergized International Sales and More Family-Friendly Canine Adventures (EXCLUSIVE) 3 days ago See All Add us as a Google Preferred Source Comments The new animated short “Lilo & Scratch” immediately sets up audience expectations with its opening shot featuring a clip of the Three Stooges — expect comic hijinks, anarchy and cartoon destruction. For the first “Lilo & Stitch” project from Disney Animation since the original 2002 feature, and the first short from the unit in five years, directors Malcolm Pierce and Fawn Veerasunthorn ride the anarchy of the Stooges that lives in Stitch and introduce a new character, Scratch, a cute, cuddly kitten whose destructive forces rival the Lilo’s beloved blue “dog.” The short will unspool before Disney’s “Hexed,” which will be released Nov.

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“Stitch is awesome,” says Pierce. “I feel like what I love is that he sort of lets his intrusive thoughts win, but he’s kind of a troublemaker too, which is really fun.

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So that was just super exciting, just to see what we can do that could put Stitch in a situation where he can make the most mischievous and troublemaking choices.” The plot of the short sees Lilo come home with a cute cat, which she calls Scratch, then leave the new pet in the care of Stitch (who’s watching the Three Stooges with glee). The cat quickly shows its true colors, creating trouble in ever-escalating comic situations that are laugh out loud funny and absurd.

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She says that she, Pierce and producer Nathan Curtis bounced around ideas and they narrowed the theme down to one question: Wouldn’t it be fun if chaotic stitch had to take care of a mysterious cute cat? Bush also wanted to play with new techniques for their animation pipeline.

“The most exciting thing was to kind of merge these two worlds from Disney Animation, this old school Disney renaissance 2D aesthetic with our more modern CG pipeline,” says VFX supervisor Jeremy Sikorski. “We got a taste of what this would be on some of our other short form projects like ‘Paper Man’ and more recently, ‘Once Upon a Studio.’ So this felt like a real opportunity to somewhat officialize and push things even further to see where we could kind of take these aesthetics that the world has loved for so many years.” He adds: “We asked ourselves how could we create a production pipeline that no matter the artist’s chosen mediums, the

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