‘Love Language’ Review: Chloë Grace Moretz Sells Words of Affirmation in an Old-School Romcom With Gen-Z Trappings

‘Love Language’ Review: Chloë Grace Moretz Sells Words of Affirmation in an Old-School Romcom With Gen-Z Trappings hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 24, 2026 6:43am PT ‘Love Language’ Review: Chloë Grace Moretz Sells Words of Affirmation in an Old-School Romcom With Gen-Z Trappings Joey Power’s pleasant distraction stars Moretz as the ‘Cyrano of Chicago,’ writing wedding vows for various tongue-tied nearlyweds, while making a hash of her own love life. By Guy Lodge Plus Icon Guy Lodge Film Critic @guylodge Latest ‘Clayface’ Review: DC Comics Horror Movie Is Good, Gross Fun, With No Franchise Homework Required 3 days ago ‘Klara and the Sun’ Review: There’s No Life — Intelligent, Artificial or Otherwise — in Taika Waititi’s Calamitous Android Fantasy 7 days ago Iranian Auteur Majid Majidi Wins Top Prize at Busan Film Festival With ‘Midday Meal’ 1 week ago See All Add us as a Google Preferred Source Comments Much has been written on the new dating politics practiced by Gen-Z — more progressive socially, more conservative sexually, if you believe the hot takes, which you probably shouldn’t.

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Either way, that sensibility has yet to trickle down to mainstream portrayals of Zoomer romance on screen, which remain largely beholden to templates established by previous generations. “ Love Language ” is the latest in a line of youthful romantic comedies in nostalgic thrall to ’90s tropes of the genre, from klutzy meet-cutes to gay best friends to climactic airport interventions, and if it modestly updates proceedings with queer marriage and cocaine jokes, it still suggests that our species’ mating rituals have largely held fast.

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That Joey Power ‘s palatable, attractively assembled film will likely be a comfort watch for many under-30s should in turn be a comfort to their elders. Related Stories Stephen Amell Says Putting on the ‘Baywatch’ Red Trunks Felt ‘So Familiar’ Because ‘It’s a Superhero Show’ Fremantle Appoints Sharon Levy as Head of Americas and Australia Like many latter-day romcoms, “Love Language” is cozily, even sentimentally romantic, while neglecting the comic half of the equation — despite a premise with ample potential for wit.

Chloë Grace Moretz stars as Louisa, an allegedly gifted but perennially blocked writer who chances into an unexpectedly lucrative side hustle penning other people’s wedding vows, all while struggling to articulate her own messy romantic feelings for two different men. It’s a solid setup, but Power (who last directed the 2018 romance “After Everything,” starring Jeremy Allen White and Maika Monroe) isn’t the best with words himself: The film coasts off the combined charms of its ensemble and location, with Chicago shot in warm, perma-autumnal tones, and thus goes down quite easily.

It would be nice, though, if it was funny too. Popular on Variety Well, you can’t have everything — as a jaded Louisa, recently burned by a broken-off engagement, is wont to think.

Her broken heart makes her something of a killjoy at the bachelorette party of her best friend Tilda (Billie Lourd), but does present an upside for the bride-to-be: When Tilda asks Louisa to help with her wedding vows, Louisa merely repurposes those she had written for her own aborted nuptials. Her style may be a bit “Hallmark × Rupi Kaur” but the vows go down a treat, and when word gets out at the wedding that Louisa ghostwrote them, total strangers approach her to request their own dewy-eyed dedications.

It’s a productive wedding all round: She also meets Tilda’s sexy cousin Dash (a terrific Anthony Ramos ), and though she’s a little thrown by his straight-talking manner, there’s clearly a spark

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