Miley Cyrus Embraces Being the Anti-Pop Pop Star With Her First ‘Bass Persuades’ Concert at Hollywood Bowl: Concert Review

Miley Cyrus Embraces Being the Anti-Pop Pop Star With Her First ‘Bass Persuades’ Concert at Hollywood Bowl: Concert Review hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 17, 2026 12:53am PT Miley Cyrus Embraces Being the Anti-Pop Pop Star With Her First ‘Bass Persuades’ Concert at Hollywood Bowl: Concert Review By Steven J. Horowitz Plus Icon Steven J.

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Horowitz Senior Music Writer speriod Latest Miley Cyrus Embraces Being the Anti-Pop Pop Star With Her First ‘Bass Persuades’ Concert at Hollywood Bowl: Concert Review 2 minutes ago Miley Cyrus Setlist: Every Song Played at ‘Bass Persuades – Live at the Hollywood Bowl’ 4 hours ago Rachel Chinouriri on How Sobriety and Self-Actualization Inspired Her Sophomore Album ‘I Think I Spoke Too Soon’: ‘It Was Like Doing an Autopsy on Myself’ 17 hours ago See All Add us as a Google Preferred Source Comments After she descended from a B-stage in the middle of the stands at the Hollywood Bowl on Friday night, Miley Cyrus sat hunched over on the main stage , visibly sapped by the 200-foot trek back to the spotlight. “You guys gave me so much energy, but you also took a little energy out of me, too,” she said.

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“It is a lot for me, if you could imagine walking from where I was through each of you and feeling how much passion and how much love each of you radiates to me. And I appreciate you so much.

But it is a lot for me and it is a little bit overwhelming.” Related Stories Box Office: ‘Street Fighter’ Aims for $30 Million Opening, ‘You Can See Everything’ Could Score $8 Million Start Box Office: ‘Street Fighter’ Makes $4 Million in Previews, ‘You Can See Everything’ Behind With $1.75 Million It’s an admission that a seasoned pop star — one of our biggest and brightest, mind you — would rarely deign to make at their first major show in years. And yet, it felt like the thesis for the first of two concerts Cyrus is performing in Los Angeles in support of her latest album “Bass Persuades,” a record with a few bright moments but lacking the singular vision that defined some of her strongest work.

Across the nearly two-hour set, Cyrus appeared at odds with the pressures of being a generational talent, proudly chasing her muse with full-throated renditions of fresher, more opaque material while letting the audience carry the vocals on her biggest hits. It was confounding, oftentimes bizarre and, in the end, strangely entertaining, a snapshot of a megastar who, after all this time, is still figuring out what artist she wants to become.

Popular on Variety That’s the thrill for anyone who has followed Cyrus’ career since she emerged as a Disney star with “Hannah Montana,” trying on different styles while navigating the mercurial sound of mainstream pop. She’s shape-shifted at a moment’s notice, chasing massive hits with pivots into deeply unconventional genres and sounds, beginning with her reinventive “Bangerz” era in 2013 and its subsequent global trek, her last extensive tour.

Since then, she’s remained prolific and expansive, traipsing from psych-pop (“ Miley Cyrus & Her Dead Petz”) to glam rock (“Plastic Hearts”) and, perhaps not accidentally, stumbling into a few massive hits along the way, with songs like “Wrecking Ball” and “Flowers” that she let the audience carry during the Bowl show. On Friday night, Cyrus hewed closely to her new material with tracks from “Bass Persuades” and a few from 2025’s wildly ambitious “Something Beautiful.” She’s performed so rarely that nearly half the songs on the setlist were live debuts: Over the past few years, Cyrus staged only two fans-only shows in Los Angeles and Paris, appearances that reinforced her strengths as a performer wi

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