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Mohammad Rasoulof, Shahrbanoo Sadat Push Back on Idea of Separate Oscar Category for Exiled Filmmakers as Cate Blanchett’s Displacement Film Fund Hits Tokyo

Mohammad Rasoulof, Shahrbanoo Sadat Push Back on Idea of Separate Oscar Category for Exiled Filmmakers as Cate Blanchett’s Di
Mohammad Rasoulof, Shahrbanoo Sadat Push Back on Idea of Separate Oscar Category for Exiled Filmmakers as Cate Blanchett’s Displacement Film Fund Hits Tokyo
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🕐 Son Güncelleme: 30.10.2026 12:31

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  • Oct 30, 2026 2:31am PT Mohammad Rasoulof, Shahrbanoo Sadat Push Back on Idea of Separate Oscar Category for Exiled Filmmakers as Cate Blanchett’s Displacement Film Fund Hits Tokyo By Naman Ramachandran Plus Icon Naman Ramachandran Latest Gay Filipino Couple’s Homecoming Documentary ‘We Had a Plan’ Boarded by Cat&Docs Ahead of IDFA Premiere, Trailer Unveiled (EXCLUSIVE) 3 hours ago Japan’s Anime Market Hits Record $28.2 Billion as Local Sales Surge 3 hours ago Rishab Shetty’s Chhatrapati Shivaji Maharaj Epic ‘The Pride of Bharat’ Lands T-Series, Set as Two-Part Saga (EXCLUSIVE) 4 hours ago See All Add us as a Google Preferred Source Comments Iranian filmmaker Mohammad Rasoulof and Iranian-born Afghan director Shahrbanoo Sadat pushed back on the idea of a standalone Oscar category for exiled filmmakers, speaking at the Tokyo International Film Festival as Cate Blanchett ’s Displacement Film Fund gave its first five short films their Japan premiere.
  • The question followed the Academy’s recent rule change making exiled filmmakers eligible for the Oscars.
  • The Academy’s top leadership was present at the festival this week.

Mohammad Rasoulof, Shahrbanoo Sadat Push Back on Idea of Separate Oscar Category for Exiled Filmmakers as Cate Blanchett’s Displacement Film Fund Hits Tokyo hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 30, 2026 2:31am PT Mohammad Rasoulof, Shahrbanoo Sadat Push Back on Idea of Separate Oscar Category for Exiled Filmmakers as Cate Blanchett’s Displacement Film Fund Hits Tokyo By Naman Ramachandran Plus Icon Naman Ramachandran Latest Gay Filipino Couple’s Homecoming Documentary ‘We Had a Plan’ Boarded by Cat&Docs Ahead of IDFA Premiere, Trailer Unveiled (EXCLUSIVE) 3 hours ago Japan’s Anime Market Hits Record $28.2 Billion as Local Sales Surge 3 hours ago Rishab Shetty’s Chhatrapati Shivaji Maharaj Epic ‘The Pride of Bharat’ Lands T-Series, Set as Two-Part Saga (EXCLUSIVE) 4 hours ago See All Add us as a Google Preferred Source Comments Iranian filmmaker Mohammad Rasoulof and Iranian-born Afghan director Shahrbanoo Sadat pushed back on the idea of a standalone Oscar category for exiled filmmakers, speaking at the Tokyo International Film Festival as Cate Blanchett ’s Displacement Film Fund gave its first five short films their Japan premiere. The question followed the Academy’s recent rule change making exiled filmmakers eligible for the Oscars.

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6 “I really do not like to be labeled, and even this label is displaced, you know, because I’m not seeing myself like I’m Shahrbanoo Sadat, the displaced filmmaker. This is funny, this is a joke to me,” said Sadat, whose fund-backed short is “Super Afghan Gym.” “I’m not sure if I would love to be in the category of displaced, even if they give me the Oscar.” Rasoulof, who directed the fund’s “The Sense of Water,” said that as a filmmaker he wanted to put all his energy into making films, and that from that point of view it might not matter much where they are shown.

“If there are certain specific categories, then sometimes those could cause an issue, so I would really like to focus my efforts on closing the distance and being closer,” he said. Clare Stewart, managing director of International Film Festival Rotterdam (IFFR), whose Hubert Bals Fund manages the Displacement Film Fund, pointed out that Rasoulof’s own “The Seed of the Sacred Fig,” nominated in the last Oscar cycle, was one of the first films to benefit from the change, and that it represented Germany.

“And then what does that mean? What dialogue does that create?

How does that open up our thinking more broadly about what the position of a displaced filmmaker or refugee filmmaker is in our social fabric?” Stewart said. “So I personally don’t feel there’s a need.” Blanchett, the fund’s co-founder, said everyone on the panel had welcomed the Academy’s ruling and the way it acknowledged the real situation facing artists around the world.

“There’s so many wars and conflicts, and people displaced through no fault of their own, and often careers, artistic careers are interrupted. So the fact that the Academy is recognizing that, I think is, it sounds like a small thing, but it is very profound,” she said.

The first cohort’s films have already had an Academy qualifying screening in Los Angeles, Blanchett said, with another set for New York in mid-November. “Of course for Academy considerations, but first and foremost so that yet another territory, the American territory, can see these extraordinary films,” she

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