Nearly 80% of Surveyed ACE Editors Are Using AI, New Data Finds: ‘You Adapt or Die’

Nearly 80% of Surveyed ACE Editors Are Using AI, New Data Finds: ‘You Adapt or Die’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 13, 2026 11:02am PT Nearly 80% of Surveyed ACE Editors Are Using AI, New Data Finds: ‘You Adapt or Die’ By Corbin Bolies Plus Icon Corbin Bolies Latest Nvidia CEO Jensen Huang Resigns After Multiple Affairs, Including With Alleged Chinese Spy 1 day ago Frankie Muniz Hospitalized After Crashing Race Car at Daytona 2 days ago AI Audio Startup ElevenLabs Expands Nvidia Collaboration Amid CEO Jensen Huang’s Affair Scandal 2 days ago See All Add us as a Google Preferred Source Comments There are many whispers throughout Hollywood about how many professionals are secretly using AI tools. But a cohort of film editors are ready to go public.

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In a survey of 120 members of the 1,200-body American Cinema Editors conducted by Avid , the tech company behind editing software stalwarts like Media Composer and Pro Tools , 77.5% of film editors are using AI to some extent in the post-production process. Many of the use cases relate to helping with transcription (60%), audio cleanup (55%) and searching for specific shots within the hundreds of hours of footage available to editors on a project (39.2%).

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But others cases involve a lot of the more underrepresented areas of where editors work, including generating specific shots to help producers identify what footage they need to capture or tagging the details of specific shots. Related Stories Dolly Parton’s Last Recorded Song Released: Listen to Her Passionate Performance on U2’s ‘Torn’ Unauthorized ‘Gilmore Girls’ Doc ‘Drink Coffee, Talk Fast’ Sets Release Date as Series Alum Scott Patterson Joins as Producer (EXCLUSIVE) “Nobody grows up saying ‘I dream of sinking dailies one day,’” said Matt Feury, Avid’s vice president of artist relations who helped lead the survey.

Editors, he added, were “trying to minimize the amount of manual stuff that they have to do that is just part of the process: the media management, the metadata management, things like that” instead of using it for creative decisions. Feury said Avid launched the survey to determine whether some anecdotes the company had heard about editors’ resistance to the technology were accurate.

Instead, he said, the survey indicated just the opposite. “Just by nature, editors are always exploring new avenues, new technologies,” he said.

“They’re not really afraid to try things. So, despite what we were hearing anecdotally, like, there’s a lot of resistance to it, a lot of editors already were using it.” The data reflects Hollywood’s wider engagement with AI throughout the filmmaking process, from using tools produced by companies like Ben Affleck’s InterPositive to some dabbling with fully AI-animated projects.

Part of the reasoning for such adoption may be sheer necessity. Emmy-nominated editor Molly Shock told Variety that, even as some of her editing peers weren’t eager to learn more tools, many of them were still hungry to stay on top of the technology’s advancements to try and keep themselves more hireable, particularly as Hollywood jobs have become more scarce .

“We do recognize it’s not going away,” she said. So that’s a pretty big incentive.” In some cases, she and her peers found it helpful.

On a recent season of “MasterChef,” where she and her colleagues had access to AI tools for the first time, producers needed a shot of a contestant looking at a clock for a time check. In past seasons, when it could take several hours to scour “thousands and thousands of hours” of footage to find a shot, editors managed to locate m

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