Pedro Pascal on Learning Cello for ‘Behemoth!,’ Why ‘You’ve Got to Eat S—’ to Make It in Hollywood and the ‘Avengers: Doomsday’ Line His Character Says

Pedro Pascal on Learning Cello for ‘Behemoth!,’ Why ‘You’ve Got to Eat S—’ to Make It in Hollywood and the ‘Avengers: Doomsday’ Line His Character Says hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 23, 2026 11:13am PT Pedro Pascal on Learning Cello for ‘Behemoth!,’ Why ‘You’ve Got to Eat S—’ to Make It in Hollywood and the ‘Avengers: Doomsday’ Line His Character Says Awards Circuit Podcast: Also on this episode, the Roundtable looks at whether ‘You Can See Everything’ is nudging out ‘The Odyssey’ for Oscar frontrunner status. By Clayton Davis Plus Icon Clayton Davis Chief Awards Editor byClaytonDavis Latest Laika’s First PG-13 Film, Brad Bird’s Neo-Noir and an Alzheimer’s Memoir: Animation’s Revolution Isn’t for Kids 21 hours ago Ellen Burstyn on Going for the EGOT With Her Favorite Poems and Being Over ‘The Exorcist’: ‘It’s Enough Already’ 22 hours ago ‘Michael’: Golden Globes Reject Submission to Compete in Comedy/Musical Categories 3 days ago See All Add us as a Google Preferred Source Comments “If you could hear it, you would think I was killing an animal.” That’s Pedro Pascal on his cello playing, more than a year after he started lessons for a movie that hadn’t been greenlit yet.

⭐ Olayın Perde Arkası ve Merak Edilenler

The star first had lunch with Tony Gilroy in late July 2025 about taking on the lead role of his latest movie, “ Behemoth! .” But even before anything was signed, and before he knew whether the project would hold together, Pascal went straight to cellists Timothy Loo and Charlie Tyler and got to work.

İlginizi çekebilir: Kraliyetten televizyon dünyasına! Hayaller Hollywood hayatlar MasterChef!

Hollywood ve dünya yıldızlarının hayatındaki son gelişmeler, küresel magazin basınının manşetlerini süslüyor.

Ayrıca göz atabilirsiniz: Florida Woman Falls To Her Death In Italian Alps While Trying To Take A Picture detayları için tıklayın.

💬 Sosyal Medyada Geniş Yankı Uyandırdı

Related Stories ‘Between Two Lovers’ Review: Nanako Hirose’s Contentious Family Drama Examines an Ill-Fated Throuple ‘Satoko Always’ Review: A Trio of Women Find Their Inner Voice in Shuichi Okita’s Delightful Celebration of the Art of Writing Cameras would eventually roll across Los Angeles at the end of that October, with a final day in Vienna. Every lunch break and short weekend went to “the next thing, and the next thing.” Pascal calls it “a highly intense lip sync” that left him back-footed for the entire shoot, and “the hardest thing that I’ve ever done.” Popular on Variety It was also his favorite filmmaking experience ever.

“I miss ‘Behemoth!’ more than I miss anything I’ve ever done,” he tells Variety . “I miss the character.” We’ve waited a long time for Pascal to play a part like Alex Serian.

I suspect a lot of Latinos felt the same. Pascal, 51, spent two decades in small roles onstage and on television before HBO’s fantasy epic “Game of Thrones” changed his life at 39.

He then became the internet’s shared boyfriend through Disney+’s “Star Wars” series “The Mandalorian” and HBO’s post-apocalyptic drama “The Last of Us.” No one gave him a part worthy of what he can do with his face when he has no lines. Alex, a gifted cellist who comes home to Los Angeles after 20 years on the road, is that part.

The Searchlight Pictures film, written and directed by Gilroy, premiered as the centerpiece selection of the New York Film Festival on Oct. It refuses to reveal what it’s actually about until well past the midpoint.

On this episode of the Variety Awards Circuit Podcast , Pascal digs into Gilroy’s ode to movie composers and a character who says more with a bow than he ever does with words. He also coughs up a line from the upcoming “ Avengers: Doomsday ,” teases his role in Todd Haynes’ anticipated “De Noche” and sends a message to his friend and favorite awards-season foe, Kieran Culkin.

Before that, the return of the Awards Circuit roundtable looks at this season’s Oscars contenders, including whether Nathan Fielder’s “You Can See Everything” is taking on frontrunner status over “The Odyssey.” Listen below.

Gelişmelere ilişkin tüm sıcak açıklamalar, fotoğraf kareleri ve magazin dünyasından son dakika haberleri magazinsitesi.com üzerinden anlık olarak güncellenmektedir.