Phoebe Bridgers Makes L.A.’s Intuit Dome Into an Intimate Space Full of Love, Grief, Light Shows, ‘Peter Pan’ Cosplay and a Great Billie Eilish Duet: Concert Review

Phoebe Bridgers Makes L.A.’s Intuit Dome Into an Intimate Space Full of Love, Grief, Light Shows, ‘Peter Pan’ Cosplay and a Great Billie Eilish Duet: Concert Review hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 31, 2026 5:09pm PT Phoebe Bridgers Makes L.A.’s Intuit Dome Into an Intimate Space Full of Love, Grief, Light Shows, ‘Peter Pan’ Cosplay and a Great Billie Eilish Duet: Concert Review By Chris Willman Plus Icon Chris Willman Senior Music Writer and Chief Music Critic ChrisWillman Latest Aerosmith Joined by Dave Grohl and Johnny Depp at Hollywood Bowl for First Show in Three Years, as GNR and Black Crowes Open With Tribute Sets: Concert Review 1 day ago Noah Kahan Announces ‘The Last of the Bugs World Tour’ in Stadiums for Spring and Summer 2027 2 days ago Donnie Iris, Pittsburgh’s Favorite Rocker, Who Scored Hits With the Jaggerz and as a Solo Artist, Dies at 83 5 days ago See All Add us as a Google Preferred Source Comments So, in talking about the marvel that was Phoebe Bridgers ‘ opening night at L.A.’s Intuit Dome Friday night, which part of the show do you talk about first? Would it the emotionally riveting middle section of the show, in which Bridgers used the no-phones setting to elaborately explore, in song and in monologue, her complicated family dynamics, including figuring out how to grieve the death of a sometimes abusive father who had both a positive and impact on her life?

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You don’t get moments of candor and quiet devastation like that in an arena show every day, or decade. Or , would it be the part later where Billie Eilish came out in her pink onesie pajamas?

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The duet on “Savior Complex” where she and Eilish on the stage danced around in their Peter Pan-inspired costumes? This “Lost Weekend Tour” stop at the Intuit Dome (the first of three sold-out weekend shows there wrapping up her U.S.

tour) provided a wealth of moments of moods to talk and write about, so no one can be blamed for picking either the most moving or goofiest bit of the show to single out. The Eilish cameo will surely outweigh all other highlights in the popular vote that is (for once, picture-less) social media.

For the audience in the house down in Inglewood, anyway, it was a magnificently holistic experience, putting the lie to the idea that a Bridgers concert is finally going to be anything but a joyfully celebratory experience, these days. Even if she is also perfectly equipped to answer Leonard Cohen’s final rhetorical question: You want it darker ?

Possibly the most talked-about aspect of this tour has also been the most seemingly irrelevant: the artist’s insistence that all smart devices be locked up in Yonder pouches, which is not completely uncommon for shows in smaller theaters where the artists want to keep a secret, but has rarely been done at the arena level. (It’s probably no small expense on the tour budget, when you’ve got 18,000 pouches and the employees to manage them as a line item… so there’s some sacrifice involved for Bridgers as well as the audience.) Having turned in my Apple Watch as well as phone, I kept having the same thought rolling around in my head during Alex G’s opening set, as well as the intermission: I know the end.

But I don’t know the time. But probably few on hand would argue that it didn’t make for a more mesmerizing experience, the sensation of being alone in the dark with no more illumination than what was coming off the stage and the audio verification that everyone in the same oversized space is also feeling the feels.

I hate to go overboard in congratulating a crowd, but there was a specifically impressive moment during the starkest number of the night, “Still Standing,” which Br

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