Pink Film Veteran Zeze Takahisa Champions Original Stories at Tokyo Masterclass

Pink Film Veteran Zeze Takahisa Champions Original Stories at Tokyo Masterclass hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 31, 2026 1:40am PT Pink Film Veteran Zeze Takahisa Champions Original Stories at Tokyo Masterclass By Mark Schilling Plus Icon Mark Schilling Japan Correspondent Latest AI Can Critique Shakespeare but Can’t Write It, Russo Brothers’ AGBO Execs Tell Tokyo Market 2 days ago Amazon MGM Studios Japan ‘Doubling’ Investment to Meet Global Standards, Local Chief Buddy Marini Reveals at Tokyo Market 3 days ago Kore-eda Hirokazu Hails Japanese Cinema’s Global Moment as Ninomiya Kazunari, Academy’s Amy Homma and ‘Kokuho’ Producer Murata Chieko Take Stage at Kering Women in Motion Tokyo Event 3 days ago See All Add us as a Google Preferred Source Comments The Tokyo International Film Festival ’s Tokyo Talk program presented a masterclass with Zeze Takahisa , director of the festival’s opening film, “Sukiyaki.” Held before a full-house crowd at Tokyo Midtown Hibiya, the talk focused on Zeze’s early “pink” (softcore porn) and indie films, followed by questions about his more recent work. Born in 1960 in Oita Prefecture, Zeze joined a pink film production company in 1986 and worked as an assistant director.

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He made his directorial debut in 1989 with “Extracurricular Activity: Rape,” for which he won the Pink Grand Prix Award for Best New Director. Together with Sano Kazuhiro, Sato Toshiki and Sato Hisayasu, Zeze was hailed as one of the “Four Heavenly Kings of Pink.” Related Stories Guillermo del Toro Tears Up as He Says ‘We’re Handing Down a World in Ruins’: ‘It Pains Me Deeply to See Three Generations Fail the Next’ Japan IP Market to Return to Cannes in 2027 as Tokyo Partnership Continues Pink films screened in specialized theaters for an exclusively male audience, and directors had to insert a bed scene every 10 minutes or so.

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“I’ve always been pretty firm in my convictions,” said Zeze. “Starting from the early 1990s the culture shifted and I had more freedom to say what I wanted.

That kind of thing was important to me.” At the time, Zeze was interested in stories about female criminals. “It’s just different from the male perspective,” he said.

“The motives behind the crimes and so on. I found it fascinating.” Scripted by Zeze, “Extracurricular Activity: Rape” was about delinquent high school girls who hang out at Tokyo’s Haneda Airport and battle the yakuza.

Zeze gave it the “private” title “Go to Haneda and You Will See Kids Dressed Like Pirates Ready to Attack.” Asked about a 1994 pink, “Genuine Lesbians: Embarrassing Positions” (Zeze’s own title: “Fallen Angels in September”), Zeze said the film, which was about female soulmates, reflected the interest he described as “this whole mysticism thing” shared by many young people then. “Searching for past lives became a sort of trend, and people started seeking connections to this different world,” he added.

“I thought that maybe I could make a movie centered around something like that.” Zeze said the “Four Heavenly Kings” moniker came from a pink theater “in Toyama – or maybe Ishikawa – I can’t remember.” It reminded Zeze and the other “kings” of “Nouvelle Vague” – a tag that gave critical and commercial cachet to its members. “So we figured that, rather than work as individuals, we should debut under a group name,” he said.

“We decided to use the ‘Four Heavenly Kings’ label to our advantage.” The “kings” films were also shown in retrospectives at the Rotterdam festival and elsewhere abroad. “Actually, the overseas reception came first, and then it was sort of re-imported” back to Japan, Zeze

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