‘Renoir’ Producers Join Asia-Europe Co-Production Panel at Tokyo Market as Japanese Accelerator Atmovie Global Track Partners With Ties That Bind

‘Renoir’ Producers Join Asia-Europe Co-Production Panel at Tokyo Market as Japanese Accelerator Atmovie Global Track Partners With Ties That Bind hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 16, 2026 10:37pm PT ‘Renoir’ Producers Join Asia-Europe Co-Production Panel at Tokyo Market as Japanese Accelerator Atmovie Global Track Partners With Ties That Bind By Naman Ramachandran Plus Icon Naman Ramachandran Latest Indonesian Zombie Franchise ‘Zona Merah: Dead City’ Unveils Teaser, Takes Outbreak Into the City 16 hours ago Boo Junfeng’s ‘Trinity,’ Sidharta Tata’s ‘Slaughterground’ Among JAFF Market 2026 Selections 18 hours ago Singapore Media Festival Launches Creator Summit as Asia TV Forum Adds AI Zone, Microdrama Focus 21 hours ago See All Add us as a Google Preferred Source Comments Producers behind Hayakawa Chie’s Cannes competition title “ Renoir ” are among the speakers at a session on Asia-Europe co-production at Tokyo’s TIFFCOM market on Oct. 30, as Japanese accelerator Atmovie Global Track formalizes a partnership with Europe-based workshop Ties That Bind.

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The open panel, titled “Building Creative Partnerships,” will examine how producers and directors work together to bring projects up to an international level, drawing on case studies of films made between the two regions. It will run in tandem with the Tokyo International Film Festival , and any TIFFCOM badge holder can attend.

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Related Stories Madrid’s Iberseries & Platino Industria Pivots Toward More B2B Activities Where the Hot Button Issues of AI and Microdramas Also Take Center Stage ‘Bridgerton’ Spinoff, Centered on Lady Violet, Ordered by Netflix On the panel are Mizuno-Gray Eiko, CEO of Tokyo-based Loaded Films, and French producer Christophe Bruncher of Ici et Là Productions, who both worked on “Renoir,” which competed at Cannes in 2025. Mizuno-Gray’s credits also include Hayakawa’s “Plan 75,” which received a special mention for the Caméra d’Or at Cannes in 2022 and went on to become Japan’s Oscar entry, as well as Kurosawa Kiyoshi’s “To the Ends of the Earth.” She is developing a Poland-Japan co-production from director Ishikawa Kei and a Japan-Philippines project from Hirayanagi Atsuko, and is also a support producer on the accelerator.

She also sits on the Tokyo festival’s Asian Future jury this year. Popular on Variety Bruncher, a La Fémis graduate who speaks Mandarin, is head of studies for Ties That Bind.

His recent co-productions include Muriel d’Ansembourg’s Berlinale title “Truly Naked” and Kamila Andini’s Toronto selection “Four Seasons in Java,” both of which feature at this year’s Tokyo festival. Joining them are Oh Heejung, the Seoul- and Amsterdam-based founder of Seesaw Pictures, whose films have played Sundance, Berlin, Locarno, IDFA, Rotterdam and Busan, and Moriya Takeshi, the Atmovie CEO who founded the accelerator.

Moriya’s producing credits span TV series “Midnight Diner” and Uchida Eiji’s “Midnight Swan,” which was named picture of the year at the 44th Japan Academy Film Prizes. Atmovie Global Track producer Sekiguchi Mio, whose credits include Uchida’s “Fiamma,” curated the panel.

Ahead of the public event, Oh and Bruncher will mentor a closed two-day workshop for the accelerator’s fellows on Oct. 27 and 28, built around group sessions in which participants will develop their projects and discuss career paths rather than sit through lectures.

The overall program was curated by Alessandro Gropplero, who runs the Friuli Venezia Giulia Audiovisual Fund and co-founded Ties That Bind, which the FVG fund organizes with EAVE and the Udine Far East Film Festival. The workshop brings European and Asian producers together on project develo

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