Rome MIA Market Takeaways, From Bracing for Netflix Fallout to Italy’s Production Slump and European Producers Fighting Back

Rome MIA Market Takeaways, From Bracing for Netflix Fallout to Italy’s Production Slump and European Producers Fighting Back hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 23, 2026 4:20am PT Rome MIA Market Takeaways, From Bracing for Netflix Fallout to Italy’s Production Slump and European Producers Fighting Back By Christopher Vourlias Plus Icon Christopher Vourlias Latest Asif Kapadia on Bringing the ‘Profound’ ‘7 Up’ Documentary Series to a Close After More Than 60 Years: ‘It’s a Dream Job’ 4 hours ago ‘Star Trek’ 60th Anniversary Celebration Hits Rome MIA Market With Iconic Franchise at ‘Crossroads’ After Paramount-Warner Bros. Merger 1 day ago Anna Marsh on How Canal+ Group’s M&A Activity Helps ‘Challenge the Status Quo’ and Why ‘There’s Just No Room for Error’ in Fast-Moving Business 2 days ago See All Add us as a Google Preferred Source Comments The 12th edition of Rome’s MIA Market came to a close on Friday with market head Gaia Tridente heralding “a stronger, renewed edition of MIA, with a more ambitious and expanded program,” that saw a high-powered cohort of European and global industry guests — including Banijay Entertainment CEO Marco Bassetti, Studiocanal CEO Anna Marsh, Bad Wolf CEO Jane Tranter, and filmmakers Edward Berger (“All Quiet on the Western Front”) and Asif Kapadia (“Amy”) — arriving for a lively week in the Eternal City.

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Related Stories Hollywood Unions Warn of 25-Year Decline in U.S. Production Market Share This year’s market expanded its footprint beyond its traditional home in the Palazzo Barberini and adjacent Cinema Barberini, incorporating several new venues along the elegant Via Veneto — of “La Dolce Vita” fame — and in the process “making the city itself an integral part of the market’s identity and experience,” according to Tridente.

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Popular on Variety She went on to say that those changes represented “probably been one of the biggest transformations of MIA, and certainly one of the most challenging from an organizational perspective.” “We have completely reimagined the geography of the market, creating a new industry district in the heart of Rome, with Palazzo Barberini as our main hub and a network of venues along Via Veneto,” she said. “The idea was not simply to accommodate a growing market.

We wanted to create a different experience for our participants, with dedicated spaces for the different activities, while keeping everything within walking distance. “In many ways, the entire neighborhood becomes part of the market.

I believe this new structure gives MIA a much stronger identity and offers us room to grow,” she continued. “And I have to say, being able to experience Rome in this way is something quite special.

The city is not just a backdrop for MIA; it is part of what makes the market unique.” This year’s event witnessed several other significant changes, including the introduction of a new gap-financing market for animation series and the launch of a dedicated strand showcasing the range of financial tools available to European producers and the growing role of equity capital in film and television production (more on that below). The market also shifted its dates to take place alongside the Rome Film Festival, as well as Alice nella Città, an autonomous festival that runs parallel to the Rome fest.

“The decision was primarily part of a broader strategy to strengthen Rome’s position as an international hub for the audiovisual industry,” said Tridente, by “bringing these three events closer together in the calendar and creating greater opportunities for collaboration and synergies between the industry and the festivals. “MIA remains an independent interna

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