Rotterdam Festival World Premieres Include Malaysian Horror Movie and Nepalese Dostoevsky Adaptation

Rotterdam Festival World Premieres Include Malaysian Horror Movie and Nepalese Dostoevsky Adaptation hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 29, 2026 7:00am PT Rotterdam Festival World Premieres Include Malaysian Horror Movie and Nepalese Dostoevsky Adaptation By Leo Barraclough Plus Icon Leo Barraclough International Features Editor LeoBarraclough Latest Animated Movie Based on Bestseller ‘The Unicorn That Said No’ Travels to Multiple Territories Ahead of AFM (EXCLUSIVE) 4 hours ago Oscar Contender ‘Shame and Money’ Acquired in North America by Oscilloscope (EXCLUSIVE) 1 day ago BAFTA Names Hilary Rosen as Chair 2 days ago See All Add us as a Google Preferred Source Comments International Film Festival Rotterdam has revealed the first wave of world premieres for its 56th edition, which runs from Jan. The 10 titles will screen as part of the festival’s Bright Future and Harbour sections.

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The Harbour strand includes several films by filmmakers whose work previously featured at the festival. These include Kiluanji Kia Henda, who returns with “Karl Marx, Luanda,” following his commissioned performance “Resetting Birds’ Memories” in 2021, and Kyros Papavassiliou returns with “Yiannis,” following his 2015 IFFR Tiger Competition selection for “Impressions of a Drowned Man.” Additionally, Rita Hui Nga Shu returns to IFFR, following the premiere of “Decameron” in 2021, with “The Lapse.” Related Stories Omar Sy on Taking Creative Control of Netflix’s ‘Lupin’ and Why ‘Black Dumas’ Will Spark Political Debate in France Alongside these returning filmmakers, the Harbour selection introduces fresh voices, including filmmaker siblings Iskander and Feisal Azizuddin with their comedy cannibal horror “Ali and Ben’s Spicy Meats” and Omer Shamir with intimate documentary portrait “Waiting Room.” Bright Future presents a selection of feature-length debuts, whose subjects range from claustrophobic fairy tales to tragic personal experiences and an adaptation of Dostoevsky’s “Crime and Punishment.” In the selection are four debut filmmakers who bring “markedly different approaches to storytelling,” the festival said.

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These include the Ben Hicks with “Kids Go Free,” made over 15 years across three countries, Parbat Chapagai with stylized Dostoevsky adaptation “Portrait of a Young Criminal,” Lucila Las Heras with the dark fairy tale “The Muglur” and Mohamed El Zayat with Egyptian ensemble dramedy “In the Name of Galeela.” Additionally, Ali Bakhtiari brings documentary “Tehran the Obscure Atelier of Desire.” Vanja Kaludjercic, festival director at IFFR, said: “Cinema is at its most exciting when it challenges our expectations, when filmmakers find new ways to express experiences, contradictions and realities that resist easy answers. These first 10 films already offer a glimpse of that incredible range, from the playful and provocative to the intimate and politically urgent.” The complete program for IFFR’s 56th edition will be launched on Dec.

The first selections across Bright Future and Harbour are as follows: BRIGHT FUTURE “The Muglur” (world premiere) Director: Lucila Las Heras Mexico, Argentina Struggling to write a fantasy novel under the thumb of her alcoholic father, Aurora makes a Faustian pact with a strange creature: the Muglur. But what price will it ask of her?

The answer will be found at the dark heart of this claustrophobic fairy tale. “In the Name of Galeela” (world premiere) Director: Mohamed El Zayat Egypt When money for a pilgrimage to Mecca is stolen, a young man’s community comes together to convince his blind grandmother that she’s still going.

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