‘Sense and Sensibility’ Costume Designer on Blending Historical Accuracy and Modern Styling for the Dashwood Sisters: ‘We Want to Do Jane Austen Justice’

‘Sense and Sensibility’ Costume Designer on Blending Historical Accuracy and Modern Styling for the Dashwood Sisters: ‘We Want to Do Jane Austen Justice’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 17, 2026 11:00am PT ‘Sense and Sensibility’ Costume Designer on Blending Historical Accuracy and Modern Styling for the Dashwood Sisters: ‘We Want to Do Jane Austen Justice’ By Mya Copeland Plus Icon Mya Copeland Latest ‘On the Line: The World Burger Games’: Full Day Productions Brings Five Guys Competition to Life in Prime Video Docuseries 1 day ago Taylor Sheridan’s ‘Frisco King’ Starring Samuel L. Jackson Sets Release Date (TV News Roundup) 2 days ago Mubi Sets Theatrical Release for Sundance Prize Winning Doc ‘Nuisance Bear’ – Film News in Brief 3 days ago See All Add us as a Google Preferred Source Comments “ Sense and Sensibility ” costume designer Grace Snell thought in chapters for Georgia Oakley ’s new take on Jane Austen’s 1811 novel, starring Daisy Edgar-Jones and Esmé Creed-Miles as Elinor and Marianne Dashwood, respectively.

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The most distinct chapters, from Snell’s costuming perspective, are the country and the city. First, the Barton Cottage chapter, shaped by the Devonshire landscape.

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There, behind closed doors, the relationship between the Dashwood sisters is at its most intimate. Then, the London chapter, where Elinor and Marianne’s presentation to society takes on a different palette.

Snell says the sets, weather and changing seasons inspired her work in the different phases. Related Stories Timothy Busfield Indictment on Child Sex Abuse Charges Thrown Out by Judge Austen’s debut novel begins with the Dashwood family — sisters Elinor, Marianne, Margaret and their mother — settled at Norland Park, their Sussex estate.

It’s set between the Georgian and Regency eras, in what Snell calls an “unusual transition period” as fashion began to “massively revolutionize” into the simpler style associated with Austen. Snell’s costuming inspiration, however, pulls from an array of eras, from period-accurate paintings and archival costume pieces to family portraits from the 2000s.

Popular on Variety In those photographs, “I really homed in on the intimacy that is within a family,” Snell says. “Particularly with sisters, and how relaxed and how comfortable they are with each other, and what that looks like in clothing.” One of Snell’s favorite details, and one she hopes fans pick up on, is that the sisters share clothing — emphasized by the Dashwood girls’ age gap.

At the onset, Marianne is 19, Elinor is 16 and Margaret is 13. “There’s moments of borrowing because that’s what sisters do.

They’re stealing clothes from each other. There’s being inspired by each other and reimagining clothing,” Snell says.

“The dynamic of those sisters and how they share clothes and how they’re inspired by each other was important. We do rework some of the fabrics so that the garments look that they have a life themselves and how garments are loved and shared and borrowed within a family.” Inspired by those family photographs from the early aughts, as well as some runway looks from the ‘80s and ‘90s, Snell styled the film with a more modern take.

Part of that was based on a desire to make the period piece feel more accessible. “What I wanted to do was design a film that I could see myself in, my friends in, my family in, try and knock down the wall that often is associated with period dramas,” Snell explains.

“There’s sometimes this level of separation that you feel you’re looking at them on a pedestal, and I really wanted to open that up.” Still, “Sense and Sensibility” is not a modern film. Snell, who studied historical dress at university, brought

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