Sergei Loznitsa’s ‘Imperium’ Wins Best Film at BFI London Film Festival

Sergei Loznitsa’s ‘Imperium’ Wins Best Film at BFI London Film Festival hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 18, 2026 6:00am PT Sergei Loznitsa’s ‘Imperium’ Wins Best Film at BFI London Film Festival ‘9 Temples to Heaven,’ ‘Concrete Land’ and ‘Aman’ also take top prizes as the festival wraps its 70th edition. By Naman Ramachandran Plus Icon Naman Ramachandran Latest Mahershala Ali Cries Recalling ‘Moonlight’ Scene, Keeps Quiet on ‘Spider-Verse’ at London Talk: ‘I’ve Got to Be Careful’ 23 hours ago ‘Renoir’ Producers Join Asia-Europe Co-Production Panel at Tokyo Market as Japanese Accelerator Atmovie Global Track Partners With Ties That Bind 1 day ago Indonesian Zombie Franchise ‘Zona Merah: Dead City’ Unveils Teaser, Takes Outbreak Into the City 2 days ago See All Add us as a Google Preferred Source Comments Sergei Loznitsa’s “Imperium,” which revisits the Soviet Union of the early 1970s through footage shot by Italian cameramen, has won the best film award at the 70th BFI London Film Festival competition.

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The prizes were unveiled Sunday as the festival drew to a close. The competition jury was led by filmmaker Sam Pollard, whose credits include “MLK/FBI” and “Citizen Ashe,” and also featured “Life of Jorge Luis Borges” filmmaker Mariano Llinás and DDA chief strategy officer Julie La Bassiere.

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“The film is richly evocative and emotionally engaging on all levels giving us a visually arresting perspective of life before the Soviet Union was broken apart,” the jury said. Popular on Variety In the first feature competition, the Sutherland Award went to Thailand’s Oscar submission “9 Temples to Heaven,” the first fiction feature from Sompot Chidgasornpongse.

The film reflects on faith, kinship and the passage from life to death. Actor Amir El-Masry (“Giant,” “Limbo”) presided over that jury, joined by “Moonglow” producer Alemberg Ang and sales, distribution and awards strategist Rosa Bosch.

“An accomplished first feature paving his own path in the well-established tradition of filmmaking in the Southeast Asian region,” the jury said. Bertil Nilsson’s “Masc” received a special mention in the same section.

The debut tracks Robin, who drifts between short-term jobs and uncertain relationships while looking for somewhere he fits. The jury singled out Nilsson as a fresh British talent with an unusual concept and a funny script.

The Grierson Award for documentary went to Asmahan Bkerat’s feature directorial debut “Concrete Land,” which spends time with several generations of a mixed-race family in Jordan as they resist displacement and hostility. “Santosh” director Sandhya Suri headed the documentary jury, alongside Melbourne International Film Festival senior programmer Kate Fitzpatrick and BAFTA and Emmy-winning producer Andee Ryder.

“In a noisy and often polemical world it was refreshing, humbling and deeply relevant to see the quiet resilience and dignity of this family in the face of the erasure of their culture and traditions,” the jury said. Theo Rollason’s “Queer Edward II,” assembled entirely from archive material, earned a special mention.

It goes behind the scenes of Derek Jarman’s “Edward II,” set against the anti-LGBTQIA+ laws Britain passed in the 1980s, and the jury praised it as a portrait of Jarman the artist and Jarman the activist. Rahul Roye’s “Aman” won the Short Film Award.

The film centers on a trans man who learns he is pregnant the night before his gender-affirming surgery, upending his sense of who he is as a man and as a father. It is streaming free on BFI Player until Oct.

Writer-producer Helen Simmons (“100 Nights of

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