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- Nov 13, 2026 3:16pm PT Seth Rogen on ‘The Invite,’ ‘Tangles,’ ‘The Studio’ Season 2, Reviving ‘Darkwing Duck’ and Why ‘Any A–hole Can Write That Joke’ Was the Best Advice He Ever Got Awards Circuit Podcast: The roundtable discusses the ‘I Play Rocky’ screenplay debate and the new Disney movie ‘Hexed’ By Clayton Davis Plus Icon Clayton Davis Chief Awards Editor byClaytonDavis Latest Documentaries at the Oscars: A History of Breaking Out of Their Category — and What It Means for ‘You Can See Everything’ 22 hours ago Jo Koy on ‘Blue in the Face,’ Steven Spielberg, Biggie’s Mom and Learning What His Name Really Means at Long John Silver’s 1 day ago Oscar Predictions: Film Editing — ‘You Can See Everything’ Looks to Crash a Race of Past Winners and Become the Third Documentary Ever Nominated 1 day ago See All Add us as a Google Preferred Source Comments For years, people have told me that Seth Rogen and I are voice twins.
- Sitting across from him at the Middleburg Film Festival, deep in Virginia horse country, even Jeremy, the person recording our conversation, can confirm that the resemblance is very close.
- Even so, the year Rogen is having belongs entirely to him.
Seth Rogen on ‘The Invite,’ ‘Tangles,’ ‘The Studio’ Season 2, Reviving ‘Darkwing Duck’ and Why ‘Any A–hole Can Write That Joke’ Was the Best Advice He Ever Got hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 13, 2026 3:16pm PT Seth Rogen on ‘The Invite,’ ‘Tangles,’ ‘The Studio’ Season 2, Reviving ‘Darkwing Duck’ and Why ‘Any A–hole Can Write That Joke’ Was the Best Advice He Ever Got Awards Circuit Podcast: The roundtable discusses the ‘I Play Rocky’ screenplay debate and the new Disney movie ‘Hexed’ By Clayton Davis Plus Icon Clayton Davis Chief Awards Editor byClaytonDavis Latest Documentaries at the Oscars: A History of Breaking Out of Their Category — and What It Means for ‘You Can See Everything’ 22 hours ago Jo Koy on ‘Blue in the Face,’ Steven Spielberg, Biggie’s Mom and Learning What His Name Really Means at Long John Silver’s 1 day ago Oscar Predictions: Film Editing — ‘You Can See Everything’ Looks to Crash a Race of Past Winners and Become the Third Documentary Ever Nominated 1 day ago See All Add us as a Google Preferred Source Comments For years, people have told me that Seth Rogen and I are voice twins. Sitting across from him at the Middleburg Film Festival, deep in Virginia horse country, even Jeremy, the person recording our conversation, can confirm that the resemblance is very close.
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Even so, the year Rogen is having belongs entirely to him. Coming off the historic Emmy run of “ The Studio ,” Rogen could have gone anywhere next.
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He chose to travel into the world of darkly comic relationship drama “ The Invite ” and the 2D animated world of Alzheimer’s disease with “Tangles,” a one-two punch nobody could have seen coming. Related Stories Aero Films Acquires North American Rights to Ivy League Satire ‘Kingston’ (EXCLUSIVE) In “The Invite,” Olivia Wilde’s A24 dinner-party indie, Rogen plays Joe, a husband whose fraying marriage gets stress-tested over one excruciating evening with the upstairs neighbors, played by Penélope Cruz and Edward Norton.
I think it’s his finest hour as an actor. On paper, it sounds like a “another Seth Rogen” role.
On screen, he plays it in a way we didn’t expect and he credits Wilde for taking his and Norton’s ideas to heart. “She could have just not used any of it,” he says.
“and I just would not have been as funny in it.” On the episode of the Variety Awards Circuit Podcast , Rogen discusses his one-two punch of “The Invite” and “Tangles,” along with the recently announced “Darkwing Duck” revival at Disney+, the awards-season satire threaded through Season 2 of “The Studio” and how “Steve Jobs” opened a door to a part of the industry he had never been invited into. Among comedians, he says, going dramatic “almost feels like a bit of a cheat code” and he recalls Jonah Hill predicting “Moneyball” (2011) would bring him the most acclaim of his career for doing the least (Hill was right, getting his first Oscar nom for supporting actor).
“Tangles,” on the other hand, is a different kind of gamble. The hand-drawn, black-and-white animated feature, adapted from Sarah Leavitt’s graphic memoir about her mother’s Alzheimer’s and directed by first-time feature filmmaker Leah Nelson, comes from Rogen’s Point Grey Pictures and features his voice alongside Julia Louis-Dreyfus, Abbi Jacobson, Bryan Cranston and Samira Wiley.
In a category ruled by studio franchises, it is the outlier and it took 10 years to make and the Canadian multihyphenate always had his eye on what’s most important. “When we give up on it is when it doesn’t happen,” he says.
Independent Film Company and Sapan Studio open “Tangles” in theaters this year for an awards-qualifying run, with a wider expansion in early 2027.
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