South International Series Festival Prizes: ’Blindspot Berlin,’ ‘The Oligarch and the Art Dealer’ Win Big

South International Series Festival Prizes: ’Blindspot Berlin,’ ‘The Oligarch and the Art Dealer’ Win Big hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 5, 2026 2:46am PT South International Series Festival Prizes: ’Blindspot Berlin,’ ‘The Oligarch and the Art Dealer’ Win Big Of scripted series, Isabel Coixet’s “Someone Should Ban Sunday Afternoons,” “Patagonia,”created by Chile’s Patricio Pereira, María Elena Wood and Norway’s “Still Breathing” also scored awards By John Hopewell Plus Icon John Hopewell Chief International Correspondent john_hopewell Latest Invercine, Gema Films and Gaman Cine, Top Producers on Latin America’s Film-TV Scene, Bring to Market New Productions 3 days ago Sanfic Mórbido Lab Lineup Ranges From an LGBTQ Alien Monster Comedy to a Mapuche Parable, Extreme Horror and Cold War Sci-Fi 3 days ago ‘Blindspot Berlin,’ a Beta Film TIFF Standout With ‘All Quiet’ Star Albrecht Schuch, Seals Deal for Spain With Filmin (EXCLUSIVE) 6 days ago See All Add us as a Google Preferred Source Comments “ Blindspot Berlin ,” a TIFF standout starring “All Quiet on the Western Front” lead Albrecht Schuch, swept Best Fiction Series, Screenplay and an Audience Award at the 4th edition of Cadiz’s South International Series Festival on Wednesday night. Its triple whammy was announced at a SISF prize gala whose other awards recognized many of the buzziest titles at this year’s carefully curated lineup: Danish docuseries “ The Oligarch and the Art Dealer ,” Isabel Coixet ’s “Someone Should Ban Sunday Afternoons,” “ Patagonia ,,” created by Chile’s Patricio Pereira and María Elena Wood, Norway’s “Still Breathing” and Mediaset España’s non-fiction “The Dirty Years: Where is Nani?” Related Stories ‘Married at First Sight’ U.K.

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From co-creator, co-writer and director David Nawrath (“Your Honor,” “Atlas”),“Blindspot Berlin” was praised by a SISF jury for its “extraordinary narrative force, an experience of suspense and dramatic tension which traps viewers until the end, even if they knew how things finally played out.” Part of that tension comes from the rationing of information, the jury observes. It also derives from the constant creation of narrative knots of tension, such as in Episode 1 when Detective Lieutenant Frank Laudlin (Schuch) and Iraq-born rookie police officer Isra Al-Husseini (Bayan Layla, “Elaha”) are racing not to stop a terrorist attack but a German-soil-based recruitment for the Islamic State.

SISF’s three prizes adds to selection for the Toronto Film Festival’s prestigious Primetime section, where “Blindspot Berlin” was one of the only two European series to make the cut, and a Filmin pick-up for Spain , announced on the first day of SISF. Other Big Prizes Elsewhere, “The Oligarch and the Art Dealer,” an Arte series co-created, written and directed by Andreas Dalsgaard, scored Best Non-Fiction Series, having proved a Sundance, CPH-DOX and Canneseries highlight.

Isabel Coixet scooped the Cadiz City Prize for “Someone Should Ban Sunday Afternoons,” an Arte series produced by ”The Bureau” showrunner Eric Rochant’s Maui Entertainment in

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