Taiwan-Japan Film Fund Daily Capital Launches at Tokyo Market, Backs Period Romance ‘Love Ends in Bloom’

Taiwan-Japan Film Fund Daily Capital Launches at Tokyo Market, Backs Period Romance ‘Love Ends in Bloom’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 28, 2026 1:20am PT Taiwan-Japan Film Fund Daily Capital Launches at Tokyo Market, Backs Period Romance ‘Love Ends in Bloom’ By Lin Ying-Hsuan Plus Icon Lin Ying-Hsuan Latest Tokyo Film Festival Opens With ‘Sukiyaki’ and a Plea for Peace as Japan’s Government Restates Global Content Ambitions 2 days ago Busan Takeaways: Record Crowds Meet a Political Storm as Asia’s Producers Close Ranks 2 weeks ago Taiwan Gets Its Own Spotlight at Lumière, Led by Restored ‘Osmanthus Alley’ in Its Original Language 2 weeks ago See All Add us as a Google Preferred Source Comments Daily Capital , a new fund focused on Taiwan -Japan film and television co-productions, launched on the Tokyo International Film Festival market TIFFCOM ’s opening day at the “Taiwan Originals: Project Showcase” event. The fund aims to raise NT$100 million (about $3.1 million) and invest in at least five projects across film, television and animation over its first two years.

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Fundraising has reached 70% of the target, and the fund expects to begin operations by year-end, founder Chang Chen-yu told Variety . Related Stories Jon Gosselin Filming Netflix Tell-All Documentary About ‘Jon & Kate Plus 8’ With Kids Collin and Hannah Globo, Netflix Strike Biggest Licensing Deal Between the Two Companies, Led by Walter Salles’ Oscar Winner ‘I’m Still Here’ (EXCLUSIVE) The name “Daily” reflects the idea that meaningful progress is built through daily efforts, Chang said at the launch.

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In Japan, Daily Capital has identified K2 Pictures and Remow as co-development partners. Founded by producer Kii Muneyuki, K2 Pictures brings together Japanese filmmakers including Iwai Shunji, Miike Takashi, Nishikawa Miwa and Kore-eda Hirokazu.

Remow is backed by Japanese entertainment and media companies including Shueisha, Toei, Amuse, Shochiku, TBS Holdings and Fuji Media Holdings, with access to established IP libraries and distribution networks. “Investment amounts will vary according to each project’s scale and needs, whether it’s a film, series or animation.

We expect to come in during development or pre-production, contribute to script discussions and help assemble the core creative team. We also aim to keep the primary capital recovery period within three years,” Chang said.

The fund plans to pair Japan’s IP and production know-how with Taiwan’s flexible financing and co-production experience. It will also tap local production incentives and distribution networks to reach audiences beyond Japanese- and Mandarin-speaking markets.

Its first announced investment is the series “Love Ends in Bloom.” Set in 1930s Chiayi and Alishan, the 10-episode historical romance and business drama follows a Japanese geisha who devises a cross-border marriage scheme to save her mother, then falls into a forbidden romance with a Taiwanese timber magnate. The story unfolds during the Japanese colonial period (1895–1945), when Taiwan’s cypress industry was thriving, and views the era through a Japanese woman’s eyes.

The project grew out of Chang’s return to his hometown of Chiayi in 2023. The railway station was under renovation, prompting him to reflect on the city’s forestry and railway history.

“Despite our proximity, Taiwan, Japan and Korea are rarely seen together in one narrative,” Chang said in a previous interview with Variety . Written by Juliana Hsu, whose credits include period drama “Gold Leaf,” and directed by Sun Jie-heng, director of wartime historical drama “Three Tears in Borneo,” “Love Ends in Bloom”

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