Taiwan Should Bet on Horror to Crack Indonesia, Southeast Asia’s Biggest Film Market, Study Finds

Taiwan Should Bet on Horror to Crack Indonesia, Southeast Asia’s Biggest Film Market, Study Finds hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 6, 2026 2:22am PT Taiwan Should Bet on Horror to Crack Indonesia, Southeast Asia’s Biggest Film Market, Study Finds By Naman Ramachandran Plus Icon Naman Ramachandran Latest ‘Kamen Rider’ Studio Toei Frames Generative AI Rules, Sets First Video Games for 2027 2 hours ago ‘African Kung-Fu Nazis’ Franchise Lands at Hong Kong’s Cappu Films for International Sales (EXCLUSIVE) 4 hours ago Hollywood Has Flipped on GenAI, Says ‘Avatar’ VFX House Weta FX Chief: ‘If You Don’t Have an AI Strategy, Don’t Bother’ 4 hours ago See All Add us as a Google Preferred Source Comments Horror stands out as a natural meeting ground for Taiwanese and Indonesian producers, according to a K7 Media study of the Indonesian film and TV market presented by Trang Nguyen at Taiwan Creative Content Fest (TCCF) in Taipei. The stakes are considerable.

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Indonesia is Southeast Asia’s largest economy and its biggest film market, with box office revenue of $352.9 million in 2025, according to figures drawn from PwC, Box Office Mojo and CJ CGV Vietnam. That is 1.6 times the size of Vietnam’s box office and five times Thailand’s.

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The market’s 5.1% compound annual growth rate also beats the Asia-Pacific average of 4.3%. Related Stories Netflix Chiefs Concede That Slowdown in U.S.

Viewing Sparked the Content Leadership Shakeup: ‘We’re Focusing on Execution,’ Ted Sarandos Says Netflix’s ‘Haunted Hotel’ Renewed for Season 3 Local films rule the multiplexes. Indonesian titles made up 201, or 43%, of 2025 releases but took 64% of admissions, with 82.6 million tickets sold, per Cinepoint data via the Asian Contents & Film Market (ACFM).

That is more than double the 36.9 million admissions for the 100 U.S. Other Asian imports barely registered: 27 Japanese films drew 3.3 million admissions, while 61 Korean and 16 Chinese titles each pulled in 2 million.

Three local titles sit in the 10 million-plus club: Imajinari’s 2025 comedy “Agak Laen: Menyala Pantiku!,” Visinema’s 2025 animated fantasy adventure “Jumbo” and MD Pictures’ 2022 horror “KKN di Desa Penari.” Horror is the genre Indonesia produces most for cinemas. Five of the 10 most-attended Indonesian films since 2011 are horror pictures, and recent hits have mixed scares with comedy or drama.

Many of the country’s horror films draw on existing IP. Foreign horror can break out too.

Korean hit “Exhuma” drove up local theatrical interest in Korean films after its 2024 run. The presentation singled out “The Rope Curse 4” as a recent Taiwan-Indonesia collaboration.

Remakes form a second route. The Indonesian version of Korean film “Miracle in Cell No.

7” sold around 5.8 million tickets in 2022 and went on to generate a new sequel plus an animated offshoot. “Kang Mak from Pee Mak,” a local take on Thai horror-comedy “Pee Mak,” drew around 4.9 million in 2024.

Adaptations need not be film-to-film: a local big-screen version of “Descendants of the Sun,” the 2016 Korean series, is in production for cinemas in 2027. On television, five commercial groups lead.

MNC Group runs RCTI, MNCTV and GTV alongside streamers RCTI+ and Vision+ and microdrama app V+Short. Emtek/SCM operates SCTV, Indosiar and Mentari TV plus streamer Vidio.

Trans Media (Trans TV, Trans7), Viva (ANTV, tvOne) and MD Entertainment (MDTV) round out the field. Sinetron, the local soap format, remains the backbone of Indonesian TV series.

The serials are churned out in bulk, usually screen every day or several nights a week, and often stretch to hundreds of episod

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