Taiwan’s Content Agency Chief Sue Wang Puts IP Commercialization at Center of Strategy

Taiwan’s Content Agency Chief Sue Wang Puts IP Commercialization at Center of Strategy hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 5, 2026 3:14pm PT Taiwan’s Content Agency Chief Sue Wang Puts IP Commercialization at Center of Strategy By Lin Ying-Hsuan Plus Icon Lin Ying-Hsuan Latest ‘Godzilla,’ Record Anime Boom and a Global Co-Production Hunt: Takeaways From the Tokyo Film Festival and Market 10 hours ago A College Student and His Grieving Dorm Manager Share a Forbidden Bond in Tokyo Competition Title ‘The Night That Binds Us’ 3 days ago Ukraine-Set Drama About a Trans Man Barred From Fleeing War, ‘I Rarely Wake Up Dreaming,’ Wins Tokyo’s Ethical Film Award 4 days ago See All Add us as a Google Preferred Source Comments Sue Wang , chair of the Taiwan Creative Content Agency (TAICCA), says Taiwan’s content industry should make IP development and commercialization its top priority. “The challenge is not simply whether we can create good content, but whether companies have the capabilities and business models to turn creative ideas into sustainable revenue, build scalable businesses, and reach audiences across different markets,” Wang says as the 2026 Taiwan Creative Content Fest (TCCF), which runs Nov.

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6-9 in Taipei, gets underway. “Without a viable business model that has been tested in the market, simply introducing more funding or investment programs will not necessarily create a sustainable growth cycle.” Related Stories For Ella Langley, Winsomeness Wins the Night, Just Like It’s Won the Year for Her, in a Stellar Turn at L.A.’s Greek: Concert Review Aerosmith Joined by Dave Grohl and Johnny Depp at Hollywood Bowl for First Show in Three Years, as GNR and Black Crowes Open With Tribute Sets: Concert Review Wang says that without IP with demonstrated market potential, investment risks stay high, and even overseas distribution may not turn into sustained sales.

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TAICCA wants to help businesses strengthen their pricing, licensing, branding and audience-development capabilities first, then bring in growth capital and international distribution. 30, TAICCA had invested about NT$560 million ($17.1 million) in 24 international co-financing and co-production projects across feature films, series and animation, with partners in 15 countries and territories.

One example is Taiwan-Japan film “Arrested Memory,” selected for Venice Open – Out of Competition at the 83rd Venice Film Festival and the Midnight Madness section of the 51st Toronto Film Festival. TCCF’s Market will bring together 107 exhibitors from seven countries and territories.

Exhibitors in IP categories such as publishing, comics and characters have increased 13% from last year. The first Spotlight Screenings will present “April” on Nov.

7 and Taiwan-Singapore series “See You at 11pm” on Nov. Wang says the goal is to raise the international profile of Taiwanese actors and give buyers a chance to meet the actors and creative teams behind the titles.

This year’s Forum, themed “Reshape,” will feature 12 talks and panels with more than 20 experts on topics including international co-production, streaming consolidation, IP, short-form content and AI. TCCF’s Pitching, Market and Forum sections connect projects with development support, investors, production resources and buyers.

Selected Pitching teams may also apply for early-stage support through TAICCA’s Cultural Content Development Program. Wang says TAICCA wants to deepen ties with France in Cultural Tech, building on more than a decade of cooperation.

The Taiwan-France Cultural Award will mark its 30th anniversary in 2027.

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