‘The Invisible Guest’ Remake Director Danial Rifki on Suharto-Era Fear and Why His New Thriller Is About ‘How to Fight Back’

‘The Invisible Guest’ Remake Director Danial Rifki on Suharto-Era Fear and Why His New Thriller Is About ‘How to Fight Back’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 7, 2026 7:21pm PT ‘The Invisible Guest’ Remake Director Danial Rifki on Suharto-Era Fear and Why His New Thriller Is About ‘How to Fight Back’ By Jenny S. Li Plus Icon Jenny S.

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The Falcon Pictures production, which reworks Oriol Paulo’s 2016 hit “Contratiempo” for an Indonesian setting, stars Reza Rahadian, Mawar de Jongh and Arifin Putra. It debuted on HBO Max on Aug.

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10.” Set among the older residents of a small village, “Tua Tua Keladi” follows the chaos that breaks out when a chemical leak into the village water supply stirs up desire. Unspoken feelings, long-held confessions and passion come out overnight.

“I was thinking, if they have young energy to live the second life, [it is] the second chance to love,” Rifki says. He wanted the film to challenge a deep-rooted assumption that older people no longer live with energy.

For all the awkwardness of its premise, the film keeps away from eroticism, even with its younger characters. In the digital era, Rifki says, people can record their sexual behavior openly – “and sometimes that kind of freaks me out because I have a daughter.

I’m concerned if my daughter [is exposed to] wild media.” “So with the young characters, I try to approach them with something pure, not physical,” he says. 10” is a confined-space thriller about the brutal police interrogation of Akbar, a grieving father detained on suspicion of murder.

“Indonesians have trauma in politics. Life back in the days of Orde Baru – the New Order in the Suharto era – for around 32 years, we could not criticize the government,” Rifki says.

“Now we have the Reformation Era, but it might be happening underground. On social media, if you criticize the government, they will shadowban [your comment].” “We are the low class of society with this kind of fear that, if we do something, someone with power will oppress us.

So the movie is about how to fight back,” he says. “If you have social media, netizens are here to help you out.

People power now is turning [to] a digital era so we can gain that power again. I’m still sure that [there are] many good people,” he adds.

Rifki says the film grew out of his concern over abuse of power in Indonesia today. “[When I was] a film student, I really wanted to try how to speak in rom-com, thriller, drama, and other genres.

[I’m] an evolving and growing filmmaker still in

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