‘Train to Busan’ Director Yeon Sang-ho on AI Thriller ‘Paradise Lost’: ‘Something as Mysterious and Unknowable to Us as a Black Hole’

‘Train to Busan’ Director Yeon Sang-ho on AI Thriller ‘Paradise Lost’: ‘Something as Mysterious and Unknowable to Us as a Black Hole’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 11, 2026 7:39am PT ‘Train to Busan’ Director Yeon Sang-ho on AI Thriller ‘Paradise Lost’: ‘Something as Mysterious and Unknowable to Us as a Black Hole’ After taking ‘Colony’ to Cannes earlier this year, the Korean filmmaker discusses AI, grief and family, and why a tight budget and a short shoot sharpened his latest film. By Naman Ramachandran Plus Icon Naman Ramachandran Latest ‘Adolescence’ Writer Jack Thorne Adapts Matt Haig’s ‘The Humans’ for London’s West End With ‘House of the Dragon’ Star Matt Smith 6 hours ago Taiwan Creative Content Fest Takeaways: ‘Avatar’ VFX House Brings Its AI Ambitions to Taipei as Character IP Booms 6 hours ago ITV’s Sale to Sky ‘Progressing as Planned’ as Broadcaster Cuts Fourth-Quarter Content Spend Amid U.K.

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Ad Slump 8 hours ago See All Add us as a Google Preferred Source Comments In Musan City, a decaying small town that exists only on screen, a grieving mother puts on a pair of AR glasses and spends time with her 10-year-old son. He has been gone for nine years, one of the children on a camp bus that vanished.

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Then the real boy comes home, grown up and a stranger, and the comfort the glasses offered starts to turn into something far more frightening. That is the setup of “ Paradise Lost ,” the new psychological thriller from Yeon Sang-ho , the director of “Train to Busan” and the series “Hellbound.” It sits at the opposite end of the scale from “ Colony ,” which Yeon premiered in the Midnight Screenings section at Cannes earlier this year.

“Paradise Lost” went on to Toronto’s Special Presentations section, where Yeon had also taken last year’s micro-budget “The Ugly,” and then screened as a Gala Presentation in Busan. Screenings sold out at both festivals.

Related Stories Tom Hanks Returning to Broadway After 14 Years for New Play ‘This World of Tomorrow’ Pamela Abdy Delivers Fiery Speech After Warner Bros. Exit: ‘It Is Getting Harder, Not Easier, to Be a Woman in the Business’ Kim Hyun-joo, who worked with Yeon on both seasons of “Hellbound” and on “Jung_E,” plays the mother, Ryu So-young.

Bae Hyeon-seong (“Hospital Playlist”) takes his first big-screen lead as Sun-woo, the son who returns. Yeon wrote the screenplay with Ryu Yong-jae, drawing on an original idea of theirs that author Oh Seong-eun turned into the novel “Black Inferno.” Wowpoint produced, and CJ ENM , which presents the film with Wowpoint, handles distribution.

The film has sold to 118 countries, with Well Go USA handling North America, where it released Nov. “On one level, AI is something mechanical or technological.

But when you look more closely, we can see what is beneath it. I think it is ultimately what we share as human knowledge and also collective intelligence,” Yeon tells Variety .

As he argued around “Colony,” that pooled knowledge is now beginning to threaten our individuality, he says, the very qualities that make each of us human. “The relationship between a mother and her son is perhaps one of the most deeply personal and intimate relationships we can have,” Yeon continues.

“We can never truly know what lies in the depth of another person’s psyche.” The film borrows its title from Milton’s epic poem. “Just like the story where the first of mankind are expelled from paradise, I thought that the loss of paradise is precisely where the human identity begins,” Yeon said in the film’s production notes.

He has used AI as a storytelling device before. In 2023’s “Jung_E,” an AI recreation allowed a daughter to free her

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