Ventana Sur Proyecta 2026: A Powerhouse New Generation Lineup Backed by Some of Latin America’s Finest Producers

Ventana Sur Proyecta 2026: A Powerhouse New Generation Lineup Backed by Some of Latin America’s Finest Producers hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 14, 2026 6:09am PT Ventana Sur Proyecta 2026: A Powerhouse New Generation Lineup Backed by Some of Latin America’s Finest Producers Natalia Oreiro, Maeve Jinkings are attached to star in projects; producers include Rei Pictures, Piano, Tarea Fina, Luxbox and Cannes Un Certain Regard winner Simón Mesa Soto By John Hopewell , Emiliano de Pablos Add us as a Google Preferred Source Comments Packed to its entirety by first and second-time directors, the 12 projects at this year’s Ventana Sur Proyecta co-production forum delivers a new generation snapshot backed by some of Latin America’s finest producers which delivers a searing portrait of the contemporary realities. In key casting Brazil’s Maeve Jinkings, renowned for her pivotal role in Walter Salles’ Oscar-winning “I’m Still Here,” is set to star in “Cabildo 71.” Natalia Oreiro (“Yosi, the Regretful Spy”) in “The Other Mountain.” Related Stories ‘Ted Lasso’ Theme Song Switch: Why Brandi Carlile Took Over for Marcus Mumford in Season 4 Finale — and Is It a Permanent Change?

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After Kelly Clarkson Slams Brooklyn Novelty Store, Shop Says the ‘One-of-a-Kind’ Singing Bird She Wanted Wasn’t Actually For Sale Of project confirmed Tuesday by the San Sebastián Oil. Festival, which partners on Proyecta with Cannes Festival’s Marché du Film and Ventana Sur, “Give Me Shelter” marks one of the latest projects from Rei Pictures .

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Based in Argentina, Mexico and Spain, it is behind Lucrecia Martel’s Venice Selected “Our Land,” Argentine Oscar submission “Kill the Jockey” and Cannes Un Certain Regard winner “The Settlers” of just recent films. Popular on Variety “Give Me Shelter” will mark Nicolás Pérez Veiga’s feature debut after an prize-laden adversing career, including seven Cannes Lions, an International Emmy nomination for “Out There” and directing “Ringo, Glory and Death.” Set up at Cannes Critics’ Week Next Step workshop, “The Absence” is produced by Julio Chavezmontes’ famed Piano, a Mexico City-based producer and co-producer on movies from Apichatpong Weerasethakul, Ruben Östlund, Lucrecia Martel and Leos Carax.

“Rabbits” marks the first new Colombian director title from Colombia-based Ocúltimo, co-founded by Simón Mesa Soto , director of acclaimed “A Poet,” a Cannes Un Certain Regard Jury Prize. Ocúltimo aims “to become a platform for new generations of Colombian filmmakers with bold, director-driven films,” Mesa Soto told Variety .

“Los Mejores Días” is set up at Juan Pablo Miller’s Tarea Fina , a bastion of Argentine arthouse cinema, behind such standouts as Cannes Camera d’Or winner Las acacias,” “Incident Light” and “Sleepwalkers.” Boarded by France’s Luxbox Spain’s Amore Cine, Ventana Sur Proyecta Co-Production Forum Title “Portrait Huaco” weighs as the second feature from Melina León, whose “Song Without a Name” (“Canción sin nombre”) world premiered at the 2019 Cannes Directors’ Fortnight. A closer look at the 12 film projects at this year’s Proyecta lineup: “ The Absence,” (“La Ausencia,” Jorge Sistos Moreno, Mexico) The feature debut of Sistos Moreno, whose “The Darkness was selected for Cannes Critics’ Week in 2022.

In 18th century Morelia, a mestizo woman, the lady of an estate, invokes an ancestral deity in search for a for her husband’s syphilis, passed on to her. “This film speaks to a wound that remains open even today: racism, and the inability to accept ourselves and our heritage because of the forces and paradigms imposed upon us,” says Sistos Moreno.

“ Cabildo 71,” (Victor

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