‘Werwulf,’ ‘Cliff Booth,’ ‘The Odyssey’ and More Costume Designers Show Exclusive Sketches From the Year’s Biggest Movies

‘Werwulf,’ ‘Cliff Booth,’ ‘The Odyssey’ and More Costume Designers Show Exclusive Sketches From the Year’s Biggest Movies hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 6, 2026 7:30am PT ‘Werwulf,’ ‘Cliff Booth,’ ‘The Odyssey’ and More Costume Designers Show Exclusive Sketches From the Year’s Biggest Movies By Jazz Tangcay Ruffled gowns, sequins and a werewolf hunter dressed in layers of wool are among this year’s costume designs audiences will see on screen. Contemporary designs are seen in Olivia Wilde in “The Invite,” while a nod to the Regency era is made in “Sense and Sensibility.” And there are numbers.

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Marci Rodgers delivered over 3,000 looks for the “Michael” biopic starring Jaafar Jackson, while Ellen Mirojnick created over 5,300 designs for Christopher Nolan’s epic, “The Odyssey.” Related Stories BBC Deputy Director-General Says ‘A Lot Has Changed’ After Editing Error That Triggered Trump’s $10 Billion Lawsuit: We’re in a ‘Much Stronger Place’ Sacha Baron Cohen Says Donald Trump Has ‘Elements of Brilliance’ and ‘We Were Too Easy to Dismiss Him as a Nincompoop’ Below, Mirojnick, Rodgers and more costume designers share exclusive looks at their concepts for costumes which reflect character arcs and show how clothing can tell a lot about a person before they have even spoken a single line. The Odyssey Costume designer Ellen Mirojnick says that though Anne Hathaway’s Penelope had inner strength at the start of Christopher Nolan’s “The Odyssey,” “it was important that she never appear queen-like.” As the film opens, Penelope’s “dresses were more vulnerable, simpler, not at all decorative.

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Hollywood ve dünya yıldızlarının hayatındaki son gelişmeler, küresel magazin basınının manşetlerini süslüyor.

Ayrıca göz atabilirsiniz: Sergen Yalçın’dan yıldız futbolcuya büyük şok! ‘Alarmı kurduk, bekliyoruz’ demişti detayları için tıklayın.

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Her work at the loom was softer — it was artistic in a way.” By the time she sets forth to challenge her suitors, though, her gown is a “magnificent blue.” “That was quite intentional,” Mirojnick says. “It was to be the period at the end of the sentence.

She needed to look armor-like.” Michael One key scene in Antoine Fuqua’s biopic about Michael Jackson was his performance of “Billie Jean” at the “Motown 25” concert in 1983. There, Jackson debuted not only his moonwalk but his signature outfit: a black sequined jacket, a fedora, a single glove, white socks, cropped pants and black loafers.

Costume designer Marci Rodgers says she approached recreating the look “from the feet up.” She used the same shoe Jackson wore: a Florsheim Como Imperial loafer. The pants “were a version of the tuxedo pants that we see when he’s singing ‘Off the Wall’ — it’s the same style.” It turns out that the jacket Jackson wore during the performance belonged to his mother, Katherine.

“To me, it was like his cape,” Rodgers says. “He was wearing a piece of clothing that was from his mother’s closet, and that, by far, transformed everything.” Jaafar Jackson, who plays Michael, had a similar jacket and lent it to Rodgers to study.

“It was in my possession, so I was able to get as close as possible to re-creating the sequins of Michael’s mother’s jacket.” Wicker In “Wicker,” a spinster fisherwoman (Olivia Colman) in a medieval community, mocked by villagers for her independence, asks the local basket weaver (Peter Dinklage) to make her a husband (Alexander Skarsgård) out of wicker. Writer-directors Alex Huston Fischer and Eleanor Wilson wanted the fisherwoman’s husband to be created practically, rather than with special effects.

So prosthetic makeup designer Joe Dunckley and lead makeup FX artist Sarah Rubano spent 18 months developing Skarsgård’s costume. It started with a full-body scan of the actor’s frame so they could sculpt pieces specific to him.

The intricate weave was created using a relatively new powder-bed printing process.

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