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Will ‘You Can See Everything’ Beat DC’s ‘Clayface’ at the Box Office?

Will ‘You Can See Everything’ Beat DC’s ‘Clayface’ at the Box Office?
Will ‘You Can See Everything’ Beat DC’s ‘Clayface’ at the Box Office?
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🕐 Son Güncelleme: 21.10.2026 21:55

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  • Oct 21, 2026 11:54am PT Will ‘You Can See Everything’ Beat DC’s ‘Clayface’ at the Box Office?
  • By Rebecca Rubin Plus Icon Rebecca Rubin Senior Film and Media Reporter rebeccaarubin Latest Sundance Hires Tracy Brady as Marketing, Communications Chief 1 day ago Christopher Nolan’s ‘The Prestige’ Sets Re-Release With First-Ever Imax and 70mm Screenings 1 day ago Daniel Kaluuya to Star in ‘Purpose’ Playwright Branden Jacobs-Jenkins’ Next Show ‘Grass’ 1 day ago See All Add us as a Google Preferred Source Comments Just a week ago, “ Clayface ” was expected to easily top the box office, with opening weekend projections of $25 million to $35 million from 3,400 North American theaters.
  • (Rivals suggest a slightly softer debut around $22 million to $28 million).

Will ‘You Can See Everything’ Beat DC’s ‘Clayface’ at the Box Office? hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 21, 2026 11:54am PT Will ‘You Can See Everything’ Beat DC’s ‘Clayface’ at the Box Office? By Rebecca Rubin Plus Icon Rebecca Rubin Senior Film and Media Reporter rebeccaarubin Latest Sundance Hires Tracy Brady as Marketing, Communications Chief 1 day ago Christopher Nolan’s ‘The Prestige’ Sets Re-Release With First-Ever Imax and 70mm Screenings 1 day ago Daniel Kaluuya to Star in ‘Purpose’ Playwright Branden Jacobs-Jenkins’ Next Show ‘Grass’ 1 day ago See All Add us as a Google Preferred Source Comments Just a week ago, “ Clayface ” was expected to easily top the box office, with opening weekend projections of $25 million to $35 million from 3,400 North American theaters.

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(Rivals suggest a slightly softer debut around $22 million to $28 million). and DC’s R-rated comic book adaptation might face some unexpected competition for No.

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1 from A24’s buzzy Elizabeth Holmes documentary “ You Can See Everything .” “You Can See Everything” could collect a staggering $20 million to $25 million while expanding to 2,600 venues in its second weekend of release. It would be the rare film to see an increase in ticket sales in its sophomore outing.

The stranger-than-fiction film, directed by Nathan Fielder and Lance Oppenheim, shattered initial expectations with $15.6 million from just 855 theaters, marking the biggest opening for a nonmusical documentary in 20 years. It has earned $20.8 million domestically to date.

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The film cost $44 million to produce, a fraction of the budget of DC’s recent adaptations including this July’s “Supergirl” and 2025’s “Superman.” After “Superman” successfully reset the languishing DC Universe, “Supergirl” bombed with $126 million against a $170 million budget and marked a step back for the studio’s comic book ambitions. A body-horror thriller,” Clayface” is much darker than those family friendly adventures.

Directed by James Watkins, “Clayface” follows the titular Batman villain, a rising movie star who volunteers for a highly experimental medical procedure after his face is severely disfigured. Popular on Variety “Clayface” is one of several new releases this weekend, including Laika’s stop-motion animated “Wildwood,” Sacha Baron Cohen’s mockumentary “Ali G: Who Iz I?” and the Jenna Ortega-led literary adaptation “Klara and the Sun.” Each of those movies are targeting single digit debuts.

“Wildwood” is tracking a debut of $6 million to $8 million from more than 2,000 theaters. It’s the first release from Laika Studios since 2019’s “Missing Link,” which opened to $6 million from 3,413 theaters and ended its run with $26 million globally.

Laika is best known for making the 2009 stop-motion fantasy “Coraline.” Stop-motion animation is labor intensive (this movie took more than five years to make), so “Wildwood” carries a substantial $100 million price tag and likely won’t turn a theatrical profit based on initial projections. Directed by Travis Knight, Laika’s CEO who directed this

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