You Can See Everything, Except Outside North America: Inside A24’s Staggered International Release Strategy for Nathan Fielder’s Hit Elizabeth Holmes Doc

You Can See Everything, Except Outside North America: Inside A24’s Staggered International Release Strategy for Nathan Fielder’s Hit Elizabeth Holmes Doc hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 23, 2026 6:30am PT You Can See Everything, Except Outside North America: Inside A24’s Staggered International Release Strategy for Nathan Fielder’s Hit Elizabeth Holmes Doc By Alex Ritman Plus Icon Alex Ritman @alexritman Latest ‘Bridgerton’ Breakout Hannah Dodd to Lead Lucas Jones’ Romantic Drama ‘Miss You Forever, Zara Drake’ (EXCLUSIVE) 5 hours ago Paul Mescal and Daisy Edgar-Jones Support ‘Normal People’ Author Sally Rooney After U.K. Book Ban: She’s a ‘Writer, Not a Terrorist’ 2 days ago The Beatles Immersive Experience, Featuring Sets and Props From Sam Mendes’ Biopics, Set for Liverpool 3 days ago See All Add us as a Google Preferred Source Comments A24 ’s “ You Can See Everything ” has become one of the year’s biggest box office surprises, opening to a staggering $15.6 million in the U.S.

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and generating a frenzy of headlines, spoilers, memes and online chatter. But for audiences outside North America, catching Nathan Fielder’s three-hour documentary about disgraced Theranos founder Elizabeth Holmes — now expected to be a major player in awards season — has become a frustrating waiting game.

İlginizi çekebilir: ‘You Can See Everything’ Ruled Ineligible for DGA Feature Prize, Will Compete Only in Documentary Category

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Despite the film’s blockbuster debut — the second-biggest opening weekend ever for a documentary, behind “Fahrenheit 9/11” — A24 isn’t releasing it in the U.K. and Australia until Nov.

20, more than a month after its U.S. Sony Pictures, which recently acquired the film for several international territories, including Germany, Latin America and South Korea, has yet to announce its release plans.

Related Stories Tom Skerritt, ‘Picket Fences’ and ‘Alien’ Star, Dies at 93 As one producer jokingly put it in a message to Variety : “You Can See Everything, unless you live outside N. America.” Popular on Variety The frustration was palpable at the BFI London Film Festival, where excited speculation was mounting that the documentary would be unveiled as the surprise screening on Oct.

With co-director Lance Oppenheim in town earlier that week (for his other film, “Primetime”) and a special BAFTA screening having taken place that afternoon, many festivalgoers were convinced “You Can See Everything” was heading to the Royal Festival Hall. Instead, the surprise screening turned out to be Peter Farrelly’s “I Play Rocky.” The delay raises a broader question about A24’s international release strategy at a time when social media can turn a film into a global cultural event overnight.

Because “You Can See Everything” isn’t alone among the studio’s titles that make non-U.S. audiences sit tight, something that has been widely lamented online.

Oppenheim’s Robert Pattinson starring “Primetime” released in the U.S. 25, becoming A24’s third biggest opening with $19.2 million after “Backrooms” and “Civil War.” U.K.

previews kick off on Oct. 28, just days before it gets VOD launch in the U.S.

(like “You Can See Everything,” Sony picked up the film for numerous other territories). Back in 2022, A24’s megahit and Oscar winner “Everything Everywhere All at Once” released in the U.K.

a full two months after bowing in the U.S. And then there’s another of 2026’s most hotly-anticipated titles, “Club Kid,” which is suffering a similar fate.

Jordan Firstman’s acclaimed directorial debut and Cannes breakout lands in cinemas in the U.S on Nov. There are, of course, several factors at play.

A24 — which wouldn’t comment on its release strategy for this article — only self-distributes outside North America in a couple of territorie

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