10 Huelva Festival Standouts From ‘La Bola Negra’ to a Vibrant ‘Funk’ Musical and the Latest from ‘Dive’ Director Lucía Puenzo

10 Huelva Festival Standouts From ‘La Bola Negra’ to a Vibrant ‘Funk’ Musical and the Latest from ‘Dive’ Director Lucía Puenzo hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 13, 2026 12:45pm PT 10 Huelva Festival Standouts From ‘La Bola Negra’ to a Vibrant ‘Funk’ Musical and the Latest from ‘Dive’ Director Lucía Puenzo Prominent titles also take in Locarno winner ‘The Riverbank,’ high-caliber doc features and a change of direction for the ‘reliably superb’ actor Alfredo Castro, as Variety once called him By John Hopewell Plus Icon John Hopewell Chief International Correspondent john_hopewell Latest ‘Blind Spot,’ With ‘Money Heist’ Star Najwa Nimri, Hits the AFM Courtesy of Film Factory 1 day ago ’Unguarded,’ Mario Casas’ Second Movie as a Director, Starring Mario and Oscar Casas, Joins Film Factory’s AFM Slate 2 days ago Filmax Brings to Market ‘A Family,’ Star Ricardo Gómez’s Director Debut ‘Highlighting the Value of Single Mothers’ (EXCLUSIVE) 2 days ago See All Add us as a Google Preferred Source Comments Look at the U.S. summer box office and beyond.

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‘The Odyssey’ is a film made for the public, but from a personal vision, as indeed is ‘ La Bola Negra ,’” says Huelva Ibero-American Film Festival Director Manuel H. This year’s 52nd edition indeed screens “La Bola Negra,” as well as “ The Beloved ,” in a catch-up Accent Cine Español panorama in a year when Spanish cinema has never had it so good, fielding three titles in Cannes main competition: Pedro Almodóvar’s “Bitter Christmas, “Rodrigo Sorogoyen’s “The Beloved” and “La Bola Negra.” Related Stories Serielizados Takeaways: From HBO Max-3CAT New Show ‘The Orphans’ to ‘This is Not Finland,’ Catalonia Shows the Way to Quality Content and Partnerships Talento Andaluz frames two notable doc features from an active regional documentary film scene.

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Above all, its 12-title main competition, spotlights notable Latin America debuts and the latest from directors who have stood out for their auteurist personality, social concerns and crossover style, the kind of films Huelva loves to program. Variety profiles some of this year’s standouts: “After Elena” “Después de Elena,” ( Shawn Garry, Cine Matriz, Doc: Co, Creative Content, Italy’s Zoe Films, Fundacion Rio and By Lace Films, Chile, Colombia, Italy) A dark absurdist comedy, Toronto 2026 world premiere and Garry’s second feature following on “Desierto Sur,” here starring Alfredo Castro, a Pablo Larraín go-to actor and Nicolás Zárate, attracting heat after “Red Hanger.” Castro’s Roberto, 70, wants nothing more than to retreat into his family home after wife Elena’s death, but is forced to take in his three adult children and offspring.

In their comically halting reconnection, Roberto finds a way to navigate grief. Castro plays against type, abandoning the “heightened performances I’m used to” for “strict, grounded realism,” he told Variety .

Gabriela Sandoval produces out of her Cine Matriz label. El Hombre de los Tres Siglos,” (Hugo Cabezas, Spain) An admirably and intensely crafted doc-feature portrait of Julio Anguita, a first communist Mayor of Cordoba (1978-86), president of Izquierda Unida (1987-2000), a national left-wing anti-capitalist alliance and third political force in Spain in the 1990s.

This is a intimate, tempered and nuanced portrait of an orator, a man of elegance, humanity and a virtue, which was also for his critics his major failing: His intransigences, his unwillingness to dessert principles in polices, whatever the political gain. Directed by Hugo Cabezas (“Atín Aya,” “Últimas unidades”), mixing testimony and archival footage, produced by Seville-based La Favorita, backe

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