Anna Marsh on How Canal+ Group’s M&A Activity Helps ‘Challenge the Status Quo’ and Why ‘There’s Just No Room for Error’ in Fast-Moving Business

Anna Marsh on How Canal+ Group’s M&A Activity Helps ‘Challenge the Status Quo’ and Why ‘There’s Just No Room for Error’ in Fast-Moving Business hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 21, 2026 12:17pm PT Anna Marsh on How Canal+ Group’s M&A Activity Helps ‘Challenge the Status Quo’ and Why ‘There’s Just No Room for Error’ in Fast-Moving Business By Christopher Vourlias Plus Icon Christopher Vourlias Latest ‘Industry,’ ‘Doctor Who’ Producer Jane Tranter on Resisting Trends, Centering Women and Telling Stories About ‘People Being Accepted for Who They Choose to Be’ 11 hours ago CAA’s Roeg Sutherland Says It’s Too Soon to Predict Fallout From Netflix Firings, Thinks Recent Mergers Represent ‘Opportunity’ for Industry 1 day ago ‘Goodbye Julia’ Director on Reaching for ‘Wider Audiences’ in Sudanese Period Drama ‘About Love & September Laws’ (EXCLUSIVE) 1 day ago See All Add us as a Google Preferred Source Comments After a busy year that’s seen the Canal+ Group complete a wave of acquisitions across two continents, Anna Marsh , the CEO of Studiocanal and the deputy CEO and chief content officer for Canal+, insisted such moves have been instrumental in strengthening the position of the French media giant at a time of unprecedented industry disruption. “It’s really important to have a fresh perspective.

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People that are going to challenge the status quo. Because the business is moving so fast,” said the New Zealand-born exec, who appeared in conversation at Rome’s MIA Market on Wednesday with MIA head Gaia Tridente.

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Related Stories Ben Stiller to Moderate Conversation With William Shatner at New York Comic-Con ‘Star Trek’ Panel (EXCLUSIVE) “The audience is so tough that we constantly need to be looking at ourselves in the mirror. AI is emerging right now.

We’ve got enormous consolidation in the U.S. Looking at the different ways that the borders between pay TV and free TV are colliding,” Marsh continued.

Popular on Variety “There are so many questions to ask. Nobody has all the answers.

When we’re able to expand, when we’re able to acquire new companies and enter into new territories, it’s truly enriching.” Marsh was speaking in Rome on the heels of GREENLit, MIA’s flagship drama showcase, which offered an exclusive first look at four upcoming international series, among them “Gucci: Game Over,” a six-episode miniseries based on Allegra Gucci’s memoir that’s co-produced by Sky Studios and Lucky Red and distributed internationally by Studiocanal. Marsh praised the series as a testament to “the culture, the courage, the history that Europe’s been blessed with,” while insisting to the assembled industry professionals in the room, “I think Europe has a great future when it comes to storytelling.

And the depth of the stories that we can tell here is absolutely endless.” The Canal+ Group acquired a majority stake in Lucky Red, the Rome-based distribution and production company, in February. It was the latest in a series of moves made by the French media conglomerate to expand its growing footprint.

Earlier this year, the group acquired a 34-percent stake in UGC, the Paris-headquartered film studio that operates one of France’s leading cinema chains, and also completed a $2 billion takeover of South African pay-TV company MultiChoice. That move helped to boost the Canal+ subscriber base to north of 40 million, more than half of whom are English-speaking, thanks to MultiChoice’s reach across the African continent.

“That just opens a wealth of opportunity,” said Marsh, who touted recent Canal+ and Studiocanal projects like “The Road Home,” an apartheid-era drama starring Cynthia Erivo, Thabo Rametsi and Guy Pearce which recently w

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