Cannes Chief Thierry Fremaux Hails French Film Model as CNC Head Gaëtan Bruel Vows to Fight for Its Future at 80th Anniversary

Cannes Chief Thierry Fremaux Hails French Film Model as CNC Head Gaëtan Bruel Vows to Fight for Its Future at 80th Anniversary hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 29, 2026 10:08am PT Cannes Chief Thierry Fremaux Hails French Film Model as CNC Head Gaëtan Bruel Vows to Fight for Its Future at 80th Anniversary Bruel warned against attempts to dismantle a model that has helped make France a global cinema powerhouse. By Elsa Keslassy Plus Icon Elsa Keslassy International Correspondent @elsakeslassy Latest Joey King, LaKeith Stanfield to Star in Provocative Alien Romance Comedy ‘Safe Space,’ Lucky Number, CAA Media Finance and WME Independent Launching Sales at AFM (EXCLUSIVE) 3 hours ago Russell Brand Trial: Judge Drops Indecent Assault Charge, Replaces It With Attempted Assault Count 2 days ago Charades Boards Basketball Film ‘Import’ From Cannes Alum Paul Shkordoff Ahead of AFM (EXCLUSIVE) 2 days ago See All Add us as a Google Preferred Source Comments France’s National Film Board , the CNC, marked its 80th anniversary with a three-day gathering of industry leaders in Paris, including Cannes Film Festival chief Thierry Frémaux who praised the country’s unique film funding system.

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CNC president Gaëtan Bruel, meanwhile, warned against attempts to dismantle a model that has helped make France a global cinema powerhouse. The anniversary celebrations, held from Oct.

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26-28 at the Cinémathèque française, came at a particularly fraught moment for the institution which faces growing political scrutiny and budgetary pressures as France heads toward the 2027 presidential election. Related Stories Fox’s $22 Billion Roku Deal Approved by Shareholders of Both Companies How to Watch MLB World Series 2026: Tampa Bay Rays vs.

Milwaukee Brewers Online for Free Frémaux, who also heads the Institut Lumière in Lyon, highlighted the CNC’s key role on display across films showcased at Cannes and other major festivals. “We don’t say it because the Americans accuse us of constantly favoring certain things, because they themselves cannot imagine that the selection process is conducted in complete independence.

But you can see just how much French money, the CNC and French professionals are absolutely everywhere,” Frémaux said during an onstage conversation with film historian Antoine de Baecque at the French Cinémathèque on Wednesday. Frémaux also pointed out the CNC’s support for film restoration, noting that countries around the world have begun developing similar initiatives.

“Every country in the world has its masterpieces. And not all masterpieces have been restored, so there is still plenty of work to be done.

Many countries are now giving themselves the means to do this, following the French model,” he said. Frémaux emphasized that France’s film funding system not only supports contemporary production but also helps preserve cinema’s history and nurture future generations of film lovers.

“People are finally beginning to understand that money from cinema goes back into cinema. It has taken a long time, but I’m starting to read things about it.

Journalists are always a little slow,” he joked. “But the fact remains that this money from cinema also goes toward cinema’s history.

And that brings us back to the fundamental role of building an educational and intellectual foundation for cinephilia as a driving force in protecting contemporary creation.” The event wrapped with a forceful defense of the institution from Bruel, who took over as CNC president last year and is facing pressures from populist parties, including the far right party Rassemblement National. In its latest budget proposal, unveiled earlier this mont

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