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- Nov 1, 2026 4:34pm PT Dustin Hoffman Says Filming ‘The Graduate’ Was a ‘Terrible Experience’ and Director Mike Nichols Made Katharine Ross Slap Him 27 Times for a Scene He ‘Didn’t Even Use’ By Payton Turkeltaub Plus Icon Payton Turkeltaub Latest ‘Criminal Minds: Evolution’ Stars A.J.
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- “I felt immediately uncomfortable, unworthy.
Dustin Hoffman Says Filming ‘The Graduate’ Was a ‘Terrible Experience’ and Director Mike Nichols Made Katharine Ross Slap Him 27 Times for a Scene He ‘Didn’t Even Use’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Nov 1, 2026 4:34pm PT Dustin Hoffman Says Filming ‘The Graduate’ Was a ‘Terrible Experience’ and Director Mike Nichols Made Katharine Ross Slap Him 27 Times for a Scene He ‘Didn’t Even Use’ By Payton Turkeltaub Plus Icon Payton Turkeltaub Latest ‘Criminal Minds: Evolution’ Stars A.J. Cook, Paget Brewster and More React to Series Cancellation: ‘Rest in Peace’ 4 hours ago Martha Stewart Responds to Halloween Costume Backlash: ‘Homelessness’ Is ‘Something That I Care Deeply About’ 6 hours ago Judi Dench Says Robin Williams Was ‘Gently Supportive’ During Her Late Husband’s Cancer Battle: ‘I’ve Often Thought About’ His ‘Sensitivity and Understanding’ 6 hours ago See All Add us as a Google Preferred Source Comments Dustin Hoffman , who shot to fame after starring as Ben Braddock in Mike Nichols’ classic film “ The Graduate ,” has opened up about his experience shooting the 1967 comedy-drama in a recent essay for The New Yorker , which he described as having been a “terrible experience” despite the fact that the movie changed his life.
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“I felt immediately uncomfortable, unworthy. Here I was, playing a starring role in a movie by Mike Nichols, who was the director of the moment, but I felt like I had no right to be there,” writes Hoffman early in the piece of his time on set.
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Hollywood ve dünya yıldızlarının hayatındaki son gelişmeler, küresel magazin basınının manşetlerini süslüyor.
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Much of his anxiety stemmed from worrying that Nichols “was angry at me, either because I was doing something wrong or because he had realized what everybody else already knew, that he had miscast the lead in his film.” Related Stories Sam Heughan to Star With Viola Davis in Paramount+ Thriller Series ‘Ascent’ Jane Wiseman Exits Paramount+ as Boss Casey Bloys Announces New Structure Hoffman writes that the film “exacerbated all my insecurities from the start.” “When my agent said that Mike was interested in me, I didn’t even want to try out for the part. I had read the Charles Webb novel that Mike was adapting, and it was obvious that I was all wrong for Benjamin.
A track star and straight-A student, the head of the debate team—this was an affluent, all-American kid, whose surname was ‘Braddock.’ Why would you cast a person who looks as ethnic as I do to play the ultimate Wasp? It made absolutely no sense.” He continued, explaining that his agent convinced him to screen-test for the role, which he ultimately got.
However, beyond Hoffman’s worries about his ability to play Ben, he also writes that Nichols was “frequently sour” on set, a “shocking, destabilizing” change from his personality during rehearsals. “I often felt that I was about to be fired.
When we were shooting some of the film’s most famous sequences, I remember thinking, I have no fucking idea what I’m doing,” said Hoffman. He also notes that while the director was “irritable with everyone,” there was a “certain sadism” that “seemed to creep in” only with him.
He continued: “There was a scene in which Katharine Ross had to slap me, and he made us do twenty-seven takes. The scene has Benjamin run into Elaine’s room, soaking wet from the rain, to tell her that he’s had an affair with an older woman; within seconds, Elaine realizes the woman is her mother.
Mike just kept telling Katharine to hit me, to hit me harder. Katharine worried she would hurt me, and I told her, ‘I’m O.K.
Just don’t hit my ear.’ Unfortunately, she missed a few times. I was dizzy by the end of that day, and Mike didn’t even use the slap in the film.” The following day, Hoffman shot an underwater scene that required him to stay submerged in
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