‘Ghosts: The Possession of Button House’ Scares Up U.K., Ireland Box Office Win

‘Ghosts: The Possession of Button House’ Scares Up U.K., Ireland Box Office Win hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 26, 2026 8:28pm PT ‘Ghosts: The Possession of Button House’ Scares Up U.K., Ireland Box Office Win By Naman Ramachandran Plus Icon Naman Ramachandran Latest ‘The Odyssey’ VFX House DNEG Co-Finances Francesco Lucente’s Fantasy Adventure ‘Sinbad,’ Cappu Films Boards Sales (EXCLUSIVE) 5 hours ago India’s Oscar Entry ‘Gondhal’ Unveils Global Trailer (EXCLUSIVE) 5 hours ago Tokyo Film Festival Opens With ‘Sukiyaki’ and a Plea for Peace as Japan’s Government Restates Global Content Ambitions 17 hours ago See All Add us as a Google Preferred Source Comments Lionsgate U.K.’s horror-comedy “ Ghosts: The Possession of Button House ” debuted at the summit of the U.K. and Ireland box office, collecting £2.4 million ($3.2 million) across its opening weekend.

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Warner Bros.’ DC horror thriller “ Clayface ” opened in second position with $2.6 million. Amazon MGM Studios’ comedy feature “ Ali G: Who Iz I?

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Hollywood ve dünya yıldızlarının hayatındaki son gelişmeler, küresel magazin basınının manşetlerini süslüyor.

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” claimed third place, generating $1.7 million in its debut session. Related Stories Emmys Move to Prime Video in Six-Year, Global Deal Worth Around $15 Million a Year Black Bear’s animated fantasy “ Wildwood ,” directed by Travis Knight, secured fourth spot with an opening haul of $1.36 million.

Paramount’s “Street Fighter,” which led the chart in the previous session, rounded out the top five in its sophomore outing, adding $1.35 million to lift its cumulative total to $5.6 million. Universal’s animated feature “Forgotten Island” placed sixth in its second weekend, collecting $1.2 million for a cume of $3.7 million.

Sony’s psychological thriller “Verity” followed in seventh position in its fourth frame, adding $857,067. The Colleen Hoover adaptation’s running total is now $14.4 million.

Universal’s supernatural horror “Other Mommy” took eighth place in its third session with $576,822, bringing its gross to $6.2 million. Mubi’s “Fatherland” debuted at No.

9, generating $264,083 from 86 locations over the three-day frame with a sturdy $3,144 screen average – the fourth highest average per site among new releases. Including preview screenings, the drama’s total opening reached $415,017, surpassing “Cold War” to mark director Paweł Pawlikowski’s biggest-ever launch in the territory.

Studiocanal’s animated holdover “Shaun the Sheep: The Beast of Mossy Bottom” rounded out the top 10 in its sixth frame, collecting $408,089 to lift its cume to $6.1 million. Meanwhile, Mubi’s documentary “Making Marie Antoinette” opened across six sites, taking $1,737 over the weekend for a $24,355 cume.

The limited platform bow kicks off a staggered rollout that will expand to additional cinemas ahead of Park Circus’ re-release of Sofia Coppola’s 2006 feature “Marie Antoinette” on Nov. Looking ahead to the upcoming theatrical frame, mid-week event programming kicks off on Tuesday with Trafalgar Releasing’s broadcast of the Royal Ballet’s “Manon,” followed on Wednesday by music documentary “Ozzy & Black Sabbath: Back to the Beginning,” directed by Ben Wainwright-Pearce across 100+ locations.

Wide commercial rollouts arriving on Friday across 300+ locations are led by Disney’s mountain survival documentary “Everest: The Other Side,” directed by Elizabeth Chai Vasarhelyi and Jimmy Chin; A24’s dark comedy “Primetime,” directed by Lance Oppenheim and starring Robert Pattinson, Merritt Wever, Skyler Gisondo, and Phoebe Bridgers; Black Bear’s comedy “Wicker,” directed by Alex Huston Fischer and Eleanor Wilson, starring Olivia Colman, Alexander Skarsgård, Peter Dinklage, and

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