Guillermo del Toro: ‘It Pains Me Deeply to See Past Generations Fail the Next, We’re Handing Down a World in Ruins’

Guillermo del Toro: ‘It Pains Me Deeply to See Past Generations Fail the Next, We’re Handing Down a World in Ruins’ hakkında magazin dünyasında yaşanan en son ayrıntılar ve sıcak gelişmeler netleşti. Oct 20, 2026 6:30am PT Guillermo del Toro: ‘It Pains Me Deeply to See Past Generations Fail the Next, We’re Handing Down a World in Ruins’ Guillermo del Toro, at the 24th Morelia Film Festival to present the 3D re-Release of his Oscar-winning “Pan’s Labyrinth,” Del Toro reflected on the 20 years that have passed since his anti-fascist fable was first released By Anna Marie de la Fuente Plus Icon Anna Marie de la Fuente @adelafuente1 Latest ‘Leap Year’ Director Michael Rowe’s Cross Border Drama ‘Last Weekend’ Boarded by Mexico’s Paloma Negra 19 hours ago Caos Cine, a New Mexican Distributor, Launches at Morelia Fest With ‘The Huntress,’ Picked Up From Edher Campos and Gabriela Maire’s Zafiro (EXCLUSIVE) 1 day ago Apichatpong Weerasethakul’s ‘Jengira’s Magnificent Dream,’ With Tilda Swinton, Boarded by ‘Triangle of Sadness’ Mexican Co-Producer Piano 2 days ago See All Add us as a Google Preferred Source Comments Mexico’s beloved Guillermo del Toro descended on the 24 th Morelia Film Festival like the rockstar he is, greeted by hordes of shrieking fans that impressed even the most jaded in the crowd. In town to present the much-anticipated 3D Re-Release of “Pan’s Labyrinth,” he was everywhere all at once, holding a masterclass where tickets were as elusive as a seat at Cannes that went on for nearly three hours and a free-wheeling press conference that extended past its time limit.

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Israel’s Oscar Contender ‘Tell Me Everything’ Dropped From Swiss Queer Film Festival After Palestinian Groups’ Boycott Threats It was his third time at the fest, 20 years after his multi-Oscar winning “Pan’s Labyrinth’ first played there and years later with his 2018 best picture Academy Award winner “The Shape of Water.” Popular on Variety Before the presser kicked off, Del Toro, an Honorary Doctorate recipient from the National Autonomous University of Mexico (UNAM), received the Filmoteca UNAM Medal, an honor also bestowed on Alfonso Cuarón, in town to support his son Jonas Cuarón’s opening night film, “Campeón Gabacho,” which he produced. Alongside Del Toro were festival director Daniela Michel, “Pan’s Labyrinth” producer Bertha Navarro, his then young lead Ivana Baquero and DP Guillermo Navarro, who took home the cinematography Oscar for his stunning work on the anti-fascist fable.

Reflecting on a question posed midway through the press conference about what has stayed the same and what has changed over the 20 years since “Pan’s Labyrinth,” del Toro responded with tears. “The state of our species and society today goes beyond anything we could have imagined back then.

But I recognize the same sadness and despair. It pains me deeply to see one, two, or three generations fail the next.

We’re handing down a world in ruins, morally, socially and spiritually fractured, with the very fabric that once allowed us to tell fables and parables falling apart.” Asked whether he knew beforehand if “Pan’s Labyrinth” would be well received, Del Toro recounted how his collaborations with both Navarros sustained him through all the challenges they faced. “We embarked on an adventure that was financially horrifying but cinematically beautiful,” he said.

“You never know how a film will be received. We only found out when we screened it for the first time at Cannes.

We got that famous standing ovation that lasted more than 22 minutes, and from that

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